Registration for the 4-week Hero’s Journey Online / live-streaming Course is now open. The 1-hour course begins Saturday January 28th and runs for three more consecutive Saturdays to February 18th. Register now to guarantee a spot in this highly popular and limited seating course.
NOW CLOSED –Thanks for A Great Class!
“It was far more than I could dream of or expect … Nina has an astonishing gift of nourishing your intellect … She listens with her soul ... Nina has taken me into a new threshold of learning. The workshop has given me a new world of confidence.” — Vanessa Rottner, Toronto
“Nina inspires me to keep trying my best … She is a very thorough instructor and very nurturing and knowledgable about her students work.” — Jana Hanna, Texas
Date and Time: 4 Saturdays from January 28th through February 18th from 2-3 pm EST.
Cost: $100 (payable on registration below)
Course Description: According to Christopher Vogler (author of The Writer’s Journey: Mythic Structure for Writers) “all stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies. They are known collectively as The Hero’s Journey.”
The Hero’s Journey is essentially the three-act structure of the ancient Greek play, handed down to us thousands of years ago. Drawn from the depth psychology of Swiss psychologist Carl Jung and the scholar and mythologist Joseph Campbell, author of The Hero with a Thousand Faces, it duplicates the steps of the “Rite of Passage” and is a process of self-discovery and self-integration. To be a “hero” is to be on a journey “home”. The hero’s journey is the soul’s search for home, a journey of transformation we all take, in some form.
A truly compelling story resonates with the universal truths of metaphor within the consciousness of humanity. According to Joseph Campbell this involves an open mind and a certain amount of humility; and giving oneself to the story…not unlike the hero who gives her life to something larger than herself: “Anyone writing a creative work knows that you open, you yield yourself, and the book talks to you and builds itself….you become the carrier of something that is given to you from … the Muses—or … God. This is no fancy, it is a fact. Since the inspiration comes from the unconscious, and since the unconscious minds of the people of any single small society have much in common, what the shaman or seer [or artist] brings forth is something that is waiting to be brought forth in everyone.”
Almost every aspiring (and successful!) writer has a few volumes of writing advice that he or she feels are indispensable–books we return to, re-read, and use as guideposts on our writing journey. Munteanu’s wonderful book might find that kind of home on your own bookshelf.
Beginning writers especially will find The Fiction Writer a resource for every step on the road to writing–from defining genre to writing a great beginning; from outlining and plotting to preparing the perfect submission package. It really is an A-to-Z of fiction writing, starting with the chapter “Alien Architecture: Building from Scenes to Worlds” and hitting every letter of the alphabet right through to “The Zen of Passionate Writing.” Munteanu includes examples and lessons from her own writing career, which serve to emphasize the practical value of her advice.
Although the book covers a lot of ground, there’s no “scattershot” feel to the advice. It’s practical and grounded, and liberally seasoned with constructive exercises and helpful lists and tables, such as “The Hero’s Journey Map” (complete with an explanation of three-act structure), “Ten Ways To Revise Your Story,” common sentence structure and grammar errors.
Despite the fact that readers may know Nina Munteanu as a speculative fiction writer (Darwin’s Paradox, Angel of Chaos), the vast majority of the advice and information in The Fiction Writer applies equally to writers in any fiction genres. Good writing is good writing, and Munteanu has worked hard to provide a guidebook that shows exactly how to achieve that result. Highly recommended!
reviewed by Sherry
Sherry Ramsey is the editor & publisher of The Scriptorium Webzine for Writers, a great resource for writers. Ramsey has also published a writing guide, The New Writer’s Guide to Just About Everything.
Yes, I’m a successfully published author with acclaimed novels, short stories and essays published all over the world. But I almost didn’t get there. What if I told you that I never read as a kid, I was the worst speller in my school and I used bad grammar? I didn’t excel in typing class and practically failed English 101. Based on my Career Aptitude Test score, the school counselor recommended that I go into some trade like car mechanic. Believe me, I started from behind.
I’ve experienced your disappointment and your fear—and prevailed.
I’ve battled the gridlock of time and schedule conflicts, priority problems and lack of support from family and friends—and forged a way.
I’ve felt lonely and depressed because no one understood my dream or took it seriously—and found a community.
I’ve been lost in a sea of unfocused ideas, undirected plot, excessive—even boring—characters—and created a masterpiece of tense page-turning excitement.
I understand your pain, your moments of hesitation and lack of confidence, your yearning. I’ve been rejected and rejected and rejected—and then published!
Are you a storyteller? Because that’s where it all starts. With a story. The rest is window dressing. Every author is on a journey, a hero’s journey, really. Because that’s what most writers are: heroes. We journey into the dark frightening abyss and return with the prize for the world: truth. The writer’s life is not really romantic, like many believe. It is rife with doubt, rejection, betrayal and disappointment. But it is also graced with the richness of joy, satisfaction, energy and fulfillment. When a writer writes what he or she is passionate about, there is nothing better. Absolutely nothing. So, let me tell you a story now, about how I almost didn’t become a writer but did because it was what I had to do. Like most stories, this one has a beginning, middle and an end…
The Beginning: The Sweet Promise
When I was ten years old, I knew what I wanted to be when I grew up: I was going to be a paperback writer. It was 1964 and I’d taken my favorite rock group’s song to heart, the Beatles’ “I Want to be a Paperback Writer”. It was an incredible moment of clarity for me and despite being challenged by my stern and unimaginative primary school teacher, who kept trying to corral me into being “normal”, I wasn’t going to let anyone stem my creativity and eccentric—if not wayward—approach to literature, language and writing. I was a confident, but lovable, little brat and I knew it. She and I didn’t exactly get along, as a result. But I did okay anyway, and, despite her acidic commentary (I didn’t cross my “t”s the way she wanted me to), Miss House begrudgingly awarded me my due A’s and B’s.
Nina pretending to read
I wrote some fan fiction but quickly found my own creations far more interesting and less limiting. As a teenager, I wrote, directed and recorded “radio plays” with my sister. When we weren’t bursting into riotous laughter, it was actually pretty good. She and I shared a bedroom in the back of the house and at bedtime we opened our doors of imagination to a cast of thousands. We fed each other wild stories of space travel, adventure and intrigue, murmuring and giggling well into the dark night long after our parents were snoring in their beds. Those days scintillated with liberating originality, excitement and joy. I also enjoyed animation and drew several cartoon strips, peopled with crazy characters as I dreamt of writing graphic novels like Green Lantern, Magnus, Robot Fighter and Spiderman. My hero was science fiction author and futurist, Ray Bradbury; I vowed to write profoundly stirring tales like he did. Stories that mattered. Stories that lingered with you long after you finished them. Stories that made you think and dream and changed you imperceptibly.
I had found what excites me—my passion for telling stories—and I’d inadvertently stumbled upon an important piece of the secret formula for success: 1) having discovered my passion, I decided on a goal; 2) I found and wished to emulate a “hero” who’d achieved that goal and therefore had a “case study”; 3) I applied myself to the pursuit of my goal. Oops… the third one, well…
…It went downhill from there…
Life got in the way.
I grew up.
The Middle: The Struggles & Confusion of “Reality”
Well, that, and the environment intervened. In several ways. It started with my parents. Recognizing my talent and interest in the fine arts (I was pretty good in visual arts), they pushed me to get a fine arts degree in university and go into teaching or advertizing. They made it obvious that fiction writing was not a viable career or a forté of mine (I was lousy at spelling and, despite my ability to tell stories and my love for graphic novels, I didn’t read books!). I can still remember my father’s lecture about how perfect the teaching or nursing profession was for me. I wasn’t enamored by either. The second blow to my author-ego came in the form of a school “interest-ability” test, meant to prepare us for our career decisions. I remember the test consisting of an IQ portion (spatial, English and math), and a psychology portion (including problem-solving and scenarios meant to tease out our affinity for a particular career). Secretly harboring my paperback novelist dream, I filled out my forms with great excitement. I still remember the deflating results, which suggested that I was best suited to be a sergeant in the army! LOL! Remember what I said about my spelling and grammar. “Writing” as a career barely made it on the graph, and scored well below “computer programmer” and “mechanic”; none of which interested me.
Forest road near home
Dante’s Forest
I began to see a career in advertizing as a viable option; my love and abilities in cartooning seemed to naturally tie in with this pursuit. I also had an affinity for graphic design. So, I deferred to the “wisdom” of others and let myself be diverted and distracted by clever reasoning and an appeal to logic. I did what I thought I should do, not what truly excited me.
I still quietly held my dream of being a paperback novelist close to my heart, even if it was closeted in my subconscious. But self-expression had dwindled to a trickle; the creative flow of stories dried up and in its empty wake I discovered a cause worth investing a fervent energy: the well-being of our planet. With the cause came my relentless pursuit of a science degree. I left home and surprised and disappointed my parents by electing on registration day at the university to go into science rather than pursue a fine arts degree in advertizing. Although I wasn’t “expressing”, I was nevertheless inspired. I obtained several degrees in science, including one in Limnology (the study of freshwater), which were all to prove worthwhile in my ultimate “calling” and self-expression: that of making science accessible to the lay-public and eventually writing hard-science fiction stories and novels of substance about the environment. The latter didn’t happen for several years after I acquired my Masters of Science degree and did a long stint of teaching at university (yes, I DID teach after all!) while successfully publishing articles for magazines.
The End: Fulfillment
Nina outside Bakka Books in Toronto where her novel is for sale
My non-fiction pieces became my entrance into the world of fiction (much harder to break into) and I used this venue to polish my writing skills in fiction (don’t let anyone tell you that non-fiction can’t be exciting, bending to many of the same rules as in fiction writing). Once I began publishing fiction stories, I never looked back. And as far as I’m concerned, the sky’s the limit now.
Not too long ago, I quit my day job and moved across the country to an artistic community on the east coast. I am currently travelling the world and pursuing my dream as a full-time author and writing coach. It’s not an easy life. And it can be lonely at times. But it is so incredibly fulfilling and blessed with meaning.
Come, walk with me and pursue your dream. It’s for the taking.
“Nina’s ability to take arid academic prose and make it interesting to students is actually rather remarkable. I have been regularly using material she created for helping my students understand the hero’s journey in literature – the students find her writing engaging, accessible, and (and this is important) easily applicable not only to their readings but to their essays as well. Brava, Nina, brava.”
–David Merchant, English Instructor, Louisiana Tech University
Book Nina for an online or on-site personal or group coaching session at nina.sfgirl@gmail.com (use message title: Nina Coaching). You can also book Nina for weekly phone consultations, online webinars and livestream lectures”. Rates are posted here: check the tab above.
“The Fiction Writer is at the top of the required reading list for my students…A veritable cornucopia of hands-0n help for aspiring writers of any age…The quintessential guidebook for the soon-to-be-published.”
–Susan H. McLemore, Language Arts Instructor, Glynn Academy
The Fiction Writer: Get Published, Write Now! is available at Amazon.com, Amazon.ca, Chapters and Barnes & Noble, as well as discerning independent bookstores near you.
“Nina Munteanu’sThe Fiction Writer is the book I wish I had 15 years ago. Writers young and old can find ways to improve their work, with the book’s fun, easy to read format.”— Theresa Vinson, Book Seller