Nina Munteanu

I am holding several workshops in the Halifax region and South Shore this fall and winter.

Here are some of my workshops for October and November 2011:

Workshops at the Writer’s Federation of Nova Scotia in Halifax and the South Shore:

1. Get Published, Write Now: 1-day 6-hr course — October 9th (Sunday) 10 am to 4 pm at WFNS, 1113 Marginal Road, Halifax REGISTRATION CLOSED

2. Master Class in SF Writing: 2-day 6-hr course October 22 & 23 (Saturday & Sunday) at WFNS, 1113 Marginal Road, Halifax REGISTRATION CLOSED

3. How to Use Blogs and Social Networking to Promote Yourself: 1-day 3-hr course — October 29 (Saturday) 1 pm to 4 pm at Golden Key BB, 964 Main St., Mahone Bay REGISTRATION CLOSED

4. Writing to Wellness: 1-day 4-hr course — November 6th (Sunday) 1 pm to 5 pm at WFNS, 1113 Marginal Road, Halifax REGISTRATION CLOSED

5. Writing To Wellness: 1-day 3-hour course — November 9th (Wednesday) 2-5 pm at The Biscuit Easter, Mahone Bay REGISTRATION CLOSED

Here are the Details:

1. Get Published, Write Now — CLOSED –Thanks for a great class!

“It was nice to have so much attention on my work–very inspiring and helpful.”–Angie MacKay

“Terrific class!.. Excellent examples, notes, presentations and discussions.”–Keith McPhail

This lecture and workshop course focuses on the important creative process in an author’s writing-publishing career: revision, marketing and promotion. Every finished work must first pass through the scrutiny of revision and editing before it is ready to market. Nina Munteanu (internationally published writer of short stories and five novels) provides you with the basic essentials of revision and editing, addressing the question of how much is enough and when to stop. She provides essential instruction on how to write successful pitches, queries and synopses (all necessary for novelists wishing to publish), how to interpret and handle rejection letters and more. Nina shares current markets for writing of all kinds from memoirs and non-fiction to short stories and novels (genre to literary fiction) and poetry. Students are encouraged to bring examples of their works and be prepared to discuss them. Students will be expected to write and share their writing.

Handouts and the booklet “What Writers Need to Know About Book Contracts” by Nina Munteanu are included.

Cost is $65.00

Register and Pay for the Sunday course located at WFNS office at 1113 Marginal Road, Halifax below:

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2. Master Class on How to Write and Publish Science Fiction — CLOSED
Saturday and Sunday, October 22 & 23 from 10 am to 4 pm (with short lunch break) at WFNS, Halifax This 2-day class is for serious writers who have finished or are near finished their WIPs and wish to publish them. The course consists of lecture and hands-on workshop focused on polishing craft and self-editing using your own work. You will be expected to submit and share a portion of your work and will receive critical feedback.

Lectures will cover essential tools of world building, research, plot integration and character development.

Lectures and workshops will provide direction on self-editing that includes evaluating story promise, conveying premise and theme into a compelling story with fulfilling end, critical aspects of draft rewrites, self-editing, and tools to polish your WIP into a publishable original work. Key elements of marketing (such as queries, pitching, blurbs, and synopses) will be covered as well.

Handouts and the textbook “The Fiction Writer: Get Published, Write Now!” (Starfire World Syndicate) by Nina Munteanu are included. Location: the WFNS office on 1113 Marginal Road, Halifax. Cost is $125.00. Attendance limited to 10 people. Register and pay for the Saturday and Sunday course located at WFNS office at 1113 Marginal Road, Halifax below:

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3. How to Use Blogs and Social Networking to Promote Yourself — CLOSED

Saturday October 29th from 1pm to 5 pm at the Golden Key BB, Mahone Bay

Most promotion by authors is currently done online. The many opportunities boggle the mind, however, particularly for those of us who aren’t terribly proficient with internet social media.  Both published and soon-to-be published authors are using Blogs, Facebook, YouTube, Websites with podcasts and other social networks to great success. Learn how to command this incredibly inexpensive and highly potent and efficient medium to promote you and your work.
 
Internationally published author and essayist Nina Munteanu is an active blogger and proficient social networker of many years. She publishes several blogs and participates in many social networks on the internet. Nina will share her knowledge and experience in this interactive discussion and multi-media lecture. Nina will go over steps on how to build a blog, and cover topics like how to get traffic to your site, Search Engine Optimization (SEO), what makes a good blog, how to write copy, the pros and cons of social networking, and other topics related to internet promotion and marketing. Bring your imagination. Location: Golden Key BB, 946 Main St., Mahone Bay, NS. Cost: $60/student; price includes worksheets, example blog articles. Attendance limited to 7 people.

Register and pay for the Saturday course at the Golden Key BB in Mahone Bay below:

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4. Writing to Wellness — CLOSED … Thanks for a wonderful session!
Sunday, November 6th (Sunday) from 1 pm to 5 pm at the WFNS, Halifax $50.00

Wednesday, November 9th from 2 pm to 5 pm at The Biscuit Eater, Mahone Bay $40.00 

“Beautiful energy … well organized and interesting … It touched me more deeply spiritually and emotionally than I expected. It has motivated me to create the time and space to write again…” students of the class

Did you know that by simply keeping a journal, blogging or writing long letters, memoirs or fiction you are improving your health? The immediate and long-term beneficial effects of expressive writing have been clinically proven. Some of these include improved blood pressure, immune system functioning, lung and liver function, memory, social and linguistic behavior, and psychological well-being.

Join internationally published novelist, essayist and blogger NINA MUNTEANU for a candid discussion and exploration on wellness writing. Nina shares how she became a professional writer and how it helped her through various periods in her life. She discusses various forms of expressive writing (e.g., free writing, journaling, blogging, letter-writing, memoir and fiction); and through exercises, programs and other tools she shows you how you can enjoy a life of improved well-being through writing that is suited to your lifestyle. The workshop consists of lecture, discussion and hands-on exercises. Participants should bring a notebook and pen and be prepared to share.

Handouts provided.Recommended texts: Cameron, Julia. 1992 The Artist’s Way. Penguin Putnam Inc., New York, NY. 222pp.; Munteanu, Nina. 2009. The Fiction Writer: Get Published, Write Now! Starfire World Syndicate. Louisville, KY. 266pp.; Munteanu, Nina. 2010. The Writer’s Toolkit. DVD. Starfire World Syndicate. Louisville, KY. Location: the WFNS office on 1113 Marginal Road, Halifax. Cost is $50.00 at WFNS. Register below.

Register at the Biscuit Eater or pay at the door for the Wednesday course at the Biscuit Eater.

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If you missed a workshop that you hope Nina will give online or in your area let us know at nina.sfgirl@gmail.com [message line: Book a Workshop] Look for more online courses starting January 2012

The 3-wk course runs for 1-hour each Tuesday for three weeks (August 2, 9, and 16). Cost is $50.oo payable via Paypal to nina.sfgirl@gmail.com. Once you pay, you will receive instructions on how to access the teleseminar and live-stream lecture/workshop. Class is limited so join now.

Writing the Memoir: from Idea to Research to Storytelling.  

Have you been writing your memoir for years, waiting to finish it and hoping to publish? You may be looking for direction on how and where to start and proceed and where to finish. Memoirs, like all good creative non-fiction, tell a story. Internationally published novelist and writing coach Nina Munteanu shares details of how you can outline, storyboard and complete your memoir and make it marketable to your target audience. 

The 3-weeks of 1-hour Lecture & Workshop, will cover the following:

• Writing for your intended audience
• Formulating the core idea into theme
• Why and how to outline
• Why, how, where and when to do research
• Courage and privacy issues: what and how to reveal
• General discussion of how to incorporate plot with theme in storytelling.
• How to create a good story from truth
• Mechanics of good storytelling (show don’t tell, language, POV, setting, etc.)

Contact nina.sfgirl@gmail.com [subject: Memoir Writing] for information and to register for the course.

Nina Munteanu, Prospect Point

As a result of continued pressure by new students, Nina has opened a second Master Writing Class.

It runs every Wednesday at 5 pm EST. Join this Exclusive Club of writing enthusiasts for $49/month.

Sign up for Nina’s ongoing Master Writing Class on the Master Class Page.

For $49/month, this is what you get:

• four weekly one-hour interactive teleseminars accompanied by live webinar (computer streaming: NEW!) Nina lectures on popular writing and publishing topics, based on your submitted works, common issues, and questions from previous sessions. Topics covered and discussed are directly applicable to your personal writing challenges and interests.
• teleseminar sessions include a twenty minute telephone lecture, followed by interactive computer streaming discussion of specific topics and works directly applicable to your ongoing work. Nina “shows” and “tells”.
• facilitated discussions on the 10 most common issues faced by novice and professional writers: getting started; dealing with time management & writer’s block; getting those ideas down and making a story out of them; focusing and maintaining the staying power to finish; incorporating all the elements of good storytelling like plot, character, theme and setting into a seamless, page-turning story; making your writing compelling, clear and exciting; doing research and editing; marketing, synopses & outlines, query letters; handling rejection and fear of rejection; and overcoming fear (of failure, of success, of everything).

Eligibility Criteria & Requirements:

The Master Class is tailored for writers serious about getting published and with works in progress (e.g., first draft finished, mostly completed, firm premise and storyboard with portion written). If you do not fit these criteria, you may find that one of Nina’s other online courses or her manuscript evaluation and personal coaching is more suited to your needs.

To be eligible for the Master Class, you must submit an example of your work and agree that you are willing to persist with efforts toward publication, including the willingness to be critiqued, pursue ongoing revisions, and discussions.

The course requires that you have a computer with internet, a secure phone line, have submitted some of your work, have subscribed below, and have acquired the codes to access both conference call and live computer streaming. 

Unless you have been specifically INVITED, contact Nina BEFORE you subscribe:

BEFORE you sign up, contact Nina for eligability and availability at nina.sfgirl@gmail.com [subject: Master Class]. In order to address each of you personally, Nina limits her class sizes. Our first class is still running at maximum. This is why Nina has opened up a new class.

The Master Class that is currently open, runs every Wednesday at 5 pm EST. There are limited spaces for Master Classes so availability will be on a first come basis. Once you successfully register and subscribe for a place in this exclusive club, you will get an email with information on how to get in on the next call. See you there!

Almost every aspiring (and successful!) writer has a few volumes of writing advice that he or she feels are indispensable–books we return to, re-read, and use as guideposts on our writing journey. Munteanu’s wonderful book might find that kind of home on your own bookshelf.

Beginning writers especially will find The Fiction Writer a resource for every step on the road to writing–from defining genre to writing a great beginning; from outlining and plotting to preparing the perfect submission package. It really is an A-to-Z of fiction writing, starting with the chapter “Alien Architecture: Building from Scenes to Worlds” and hitting every letter of the alphabet right through to “The Zen of Passionate Writing.” Munteanu includes examples and lessons from her own writing career, which serve to emphasize the practical value of her advice.

Although the book covers a lot of ground, there’s no “scattershot” feel to the advice. It’s practical and grounded, and liberally seasoned with constructive exercises and helpful lists and tables, such as “The Hero’s Journey Map” (complete with an explanation of three-act structure), “Ten Ways To Revise Your Story,” common sentence structure and grammar errors.

Despite the fact that readers may know Nina Munteanu as a speculative fiction writer (Darwin’s Paradox, Angel of Chaos), the vast majority of the advice and information in The Fiction Writer applies equally to writers in any fiction genres. Good writing is good writing, and Munteanu has worked hard to provide a guidebook that shows exactly how to achieve that result. Highly recommended!

reviewed by Sherry

Sherry Ramsey is the editor & publisher of The Scriptorium Webzine for Writers, a great resource for writers. Ramsey has also published a writing guide, The New Writer’s Guide to Just About Everything.

In 2095 Darwin’s Evolution Kills…

“Angel of Chaos is … a gripping blend of big scientific ideas, cutthroat politics and complex yet sympathetic characters that will engage readers from its thrilling opening to its surprising and satisfying conclusion” —Hayden Trenholm, Aurora-winning author of The Steele Chronicles 

Angel of Chaos is the first of a duology on humanity’s co-evolution with intelligent technology and intelligent nature. The second book is Darwin’s Paradox and both are available on Amazon, Chapters, and Barnes & Noble.

Finalists in the SF category include:

• 2012 The Awakening by Bill Douglas
• A Dangerous Weapon by Charlton Clayes
• Angel of Chaos by Nina Munteanu
• Curse of the Legion by Marshall S. Thomas
• Destiny’s Blood by Marie Bilodeau
• Guardians of the Crystal Skulls by Lina Arena
• Our Jewish Robot Future by Leonard Borman
• Quick Fall of Light by Sherrida Woodley
• The Presence by Paul Black

Finalists were selected from 1400 entries in 56 categories. Finalists were determined by a jury of judges consisting of editors and reviewers of ForeWord Reviews, booksellers, librarians, and other industry professionals.

First, second, and third place winners will be awarded in each category. A $1,500 cash prize will also be awarded to Best Fiction and Best Nonfiction as determined by the editors of ForeWord Reviews. Finalists were announced in their weekly email newsletter, ForeWord This Week, in March 2010.

Winners in each category and overall fiction and nonfiction prize winners will be announced at Book Expo America and on the Foreword website.

Nina Munteanu, Prospect Point

Nina will be in Nova Scotia March 2011, teaching several writing workshops in Halifax and the South Shore. 

Nina will also make an appearance in several Halifax schools and will be doing readings at libraries. She will also be signing her latest book Angel of Chaos at several Halifax bookstores, locations to be announced shortly.

Check here for updates on Nina’s appearances and for specific times.

APPEARANCES, SIGNINGS & READINGS:

• Talk at Sacred Heart School, Halifax on March 18th at 3:30 pm
• Reading at The Biscuit Eater, Mahone Bay on March 24th at 7:oo pm
• Reading at Keshen Goodman Public Library, Halifax March 29 at 7:00 pm

COURSES INCLUDE:

• “How to Write and Publish Science Fiction” on March 13, 10 am to 4 pm (at the Writers Federation of Nova Scotia)
• “The Writer’s Toolkit” on March 19, 1-4 pm (at the Tantallon Public Library) and on March 28 at the Biscuit Eater, Mahone Bay, 1-4 pm
• “Writing the Memoir: from Idea to Research to Storytelling“ March 26, 2-4 pm (at the Bridgewater Library)
• “10 Commandments of Fiction Writing“ March 5 and March 12, 2-4 pm (at the Bridgewater Library)

COURSES:

How to Write and Publish Science Fiction. Cost $55/WFNS members; $75/non-members. Sunday, March 13 from 10 am to 4 pm. At WFNS, 1113 Marginal Road, Halifax. Includes work sheets and reference materials. Students are expected to bring an example of their current work.

What is Science Fiction? What isn’t it? What’s involved in writing SF and how do you get it published? Internationally published SF author, blogger and scientist Nina Munteanu answers these questions and more in an interactive & hands-on workshop designed to help you define your project, get started and successfully see it to publication. Learn some essential tools of this genre such as world-building, research, plot approaches and how to generate and follow through with premise, idea and theme toward a publishable original work. Students are expected to bring in and discuss their own works.  Workshop includes lectures, use of examples, discussions, exercises, readings and some writing. Recommended resource: The Fiction Writer: Get Published, Write Now! (Starfire World Syndicate) by Nina Munteanu, available at Amazon.

The Writer’s Toolkit. Free. Saturday, March 19, 1-4 pm. At the Upper Tantallon Library, Upper Tantallon. Includes work sheets and reference materials. Students are encouraged to bring an example of their current work. Also at the Biscuit Eater, Mahone Bay Monday, March 28th, 1-4 pm (cost of $50/person covers text book and coffee & dessert)

Every writer requires some necessary items in his/her toolkit to get published. This workshop introduces and discusses the most common challenges faced by writers serious about getting published. Areas covered include:

• getting started
• dealing with time management & writer’s block
• getting those ideas down and making a story out of them
• focusing and maintaining the staying power to finish
• incorporating all the elements of good storytelling like plot, character, theme and setting into a seamless story
• making your writing compelling, clear and exciting
• doing research and editing
• marketing, synopses & outlines, query letters
• overcoming fear (of failure, of success, of everything)

Recommended resource: The Fiction Writer: Get Published, Write Now! (Starfire World Syndicate) by Nina Munteanu, available at Amazon.

Writing the Memoir: from Idea to Research to Storytelling. Cost $40/student. Saturday March 26, 2-4 pm. At the Bridgewater Library, King Street, Bridgewater. Course includes work sheets and reference materials. Students are expected to bring an example of their current work.

Have you been writing your memoir for years, waiting to finish it and hoping to publish? You may be looking for direction on how and where to start and proceed and where to finish. Memoirs, like all good creative non-fiction, tell a story. Internationally published novelist and writing coach Nina Munteanu shares details of how you can outline, storyboard and complete your memoir and make it marketable to your target audience. 

The two-hour Lecture & Workshop, will cover the following:
·         Writing for your intended audience
·         Formulating the core idea into theme
·         Why and how to outline
·         Why, how, where and when to do research
·         Courage and privacy issues: what and how to reveal
·         General discussion of how to incorporate plot with theme in storytelling.
·         How to create a good story from truth
·         Mechanics of good storytelling (show don’t tell, language, POV, setting, etc.)
 

Ten Commandments of Fiction Writing. Cost $40/student. Saturday March 5, 2-4 pm and March 12, 2-4 pm. At the Bridgewater Library, King Street, Bridgewater. Course includes work sheets and reference materials. Students are encouraged to bring an example of their current work.

Although the act of creating fiction often involves the fluid chaos of the “muse”, published authors agree that some rules are required to successfully publish.  Seeing your fiction published involves more than mastering craft and technique; it involves adopting a winning attitude from passion to perspective.  Internationally published novelist and writing coach Nina Munteanu shares and discusses 10 imperatives that will guarantee your publishing success.  Come prepared to contribute. Recommended resource: The Fiction Writer: Get Published, Write Now! (Starfire World Syndicate) by Nina Munteanu, available at Amazon.

The letter from the Editor in the August 10, 2010 Writer’s Digest Newsletter said:

We often get people asking if we offer free webinars. Well, this week those folks (and you) are in luck: Sign up for “Get Published with Nina, The Writing Coach,” a free on-demand webinar where host Nina Munteanu answers some of the most frequently asked questions that writers need to know. And the best part of on-demand is that you can watch it whenever you want, where ever you want, which means two things: Computer required, pants optional.

Take care of yourself and your writing,
Brian A. Klems
Newsletter Editor
Writer’s Digest

Looks like people are enjoying the Webinar. Here’s a comment Writer’s Digest shared with us from a Webinar student:

“Words can not express the joy I received by watching the video with the two authors [Vernon Oikle and me] on The Writing Coach, Can Help You Get Published. Thanks so much.”

The webinar is still online at Writer’s Digest. If you hurry you can still register for it and view this entertaining and educational conversation about things writers need to know to get published. For FREE!

Nina, the Fiction Writer

What’s Stopping You From Publishing Your Book?

Yes, I’m a successfully published author with acclaimed novels, short stories and essays published all over the world.  But I almost didn’t get there. What if I told you that I never read as a kid, I was the worst speller in my school and I used bad grammar? I didn’t excel in typing class and practically failed English 101. Based on my Career Aptitude Test score, the school counselor recommended that I go into some trade like car mechanic. Believe me, I started from behind.

• I’ve experienced your disappointment and your fear—and prevailed.
• I’ve battled the gridlock of time and schedule conflicts, priority problems and lack of support from family and friends—and forged a way.
• I’ve felt lonely and depressed because no one understood my dream or took it seriously—and found a community.
• I’ve been lost in a sea of unfocused ideas, undirected plot, excessive—even boring—characters—and created a masterpiece of tense page-turning excitement.
• I understand your pain, your moments of hesitation and lack of confidence, your yearning. I’ve been rejected and rejected and rejected—and then published!

Are you a storyteller? Because that’s where it all starts. With a story. The rest is window dressing. Every author is on a journey, a hero’s journey, really. Because that’s what most writers are: heroes. We journey into the dark frightening abyss and return with the prize for the world: truth. The writer’s life is not really romantic, like many believe. It is rife with doubt, rejection, betrayal and disappointment. But it is also graced with the richness of joy, satisfaction, energy and fulfillment. When a writer writes what he or she is passionate about, there is nothing better. Absolutely nothing. So, let me tell you a story now, about how I almost didn’t become a writer but did because it was what I had to do.  Like most stories, this one has a beginning, middle and an end…

The Beginning: The Sweet Promise

When I was ten years old, I knew what I wanted to be when I grew up: I was going to be a paperback writer. It was 1964 and I’d taken my favorite rock group’s song to heart, the Beatles’ “I Want to be a Paperback Writer”. It was an incredible moment of clarity for me and despite being challenged by my stern and unimaginative primary school teacher, who kept trying to corral me into being “normal”, I wasn’t going to let anyone stem my creativity and eccentric—if not wayward—approach to literature, language and writing. I was a confident, but lovable, little brat and I knew it. She and I didn’t exactly get along, as a result. But I did okay anyway, and, despite her acidic commentary (I didn’t cross my “t”s the way she wanted me to), Miss House begrudgingly awarded me my due A’s and B’s.

Nina pretending to read

I wrote some fan fiction but quickly found my own creations far more interesting and less limiting. As a teenager, I wrote, directed and recorded “radio plays” with my sister. When we weren’t bursting into riotous laughter, it was actually pretty good. She and I shared a bedroom in the back of the house and at bedtime we opened our doors of imagination to a cast of thousands. We fed each other wild stories of space travel, adventure and intrigue, murmuring and giggling well into the dark night long after our parents were snoring in their beds. Those days scintillated with liberating originality, excitement and joy. I also enjoyed animation and drew several cartoon strips, peopled with crazy characters as I dreamt of writing graphic novels like Green Lantern, Magnus, Robot Fighter and Spiderman. My hero was science fiction author and futurist, Ray Bradbury; I vowed to write profoundly stirring tales like he did. Stories that mattered. Stories that lingered with you long after you finished them. Stories that made you think and dream and changed you imperceptibly.

I had found what excites me—my passion for telling stories—and I’d inadvertently stumbled upon an important piece of the secret formula for success: 1) having discovered my passion, I decided on a goal; 2) I found and wished to emulate a “hero” who’d achieved that goal and therefore had a “case study”; 3) I applied myself to the pursuit of my goal. Oops… the third one, well…

…It went downhill from there…

Life got in the way.

I grew up.

The Middle: The Struggles & Confusion of “Reality”

Well, that, and the environment intervened. In several ways. It started with my parents. Recognizing my talent and interest in the fine arts (I was pretty good in visual arts), they pushed me to get a fine arts degree in university and go into teaching or advertizing. They made it obvious that fiction writing was not a viable career or a forté of mine (I was lousy at spelling and, despite my ability to tell stories and my love for graphic novels, I didn’t read books!). I can still remember my father’s lecture about how perfect the teaching or nursing profession was for me. I wasn’t enamored by either. The second blow to my author-ego came in the form of a school “interest-ability” test, meant to prepare us for our career decisions. I remember the test consisting of an IQ portion (spatial, English and math), and a psychology portion (including problem-solving and scenarios meant to tease out our affinity for a particular career). Secretly harboring my paperback novelist dream, I filled out my forms with great excitement. I still remember the deflating results, which suggested that I was best suited to be a sergeant in the army! LOL! Remember what I said about my spelling and grammar. “Writing” as a career barely made it on the graph, and scored well below “computer programmer” and “mechanic”; none of which interested me.   

Forest road near home

Dante’s Forest

I began to see a career in advertizing as a viable option; my love and abilities in cartooning seemed to naturally tie in with this pursuit. I also had an affinity for graphic design. So, I deferred to the “wisdom” of others and let myself be diverted and distracted by clever reasoning and an appeal to logic. I did what I thought I should do, not what truly excited me.

I still quietly held my dream of being a paperback novelist close to my heart, even if it was closeted in my subconscious. But self-expression had dwindled to a trickle; the creative flow of stories dried up and in its empty wake I discovered a cause worth investing a fervent energy: the well-being of our planet. With the cause came my relentless pursuit of a science degree. I left home and surprised and disappointed my parents by electing on registration day at the university to go into science rather than pursue a fine arts degree in advertizing. Although I wasn’t “expressing”, I was nevertheless inspired. I obtained several degrees in science, including one in Limnology (the study of freshwater), which were all to prove worthwhile in my ultimate “calling” and self-expression: that of making science accessible to the lay-public and eventually writing hard-science fiction stories and novels of substance about the environment. The latter didn’t happen for several years after I acquired my Masters of Science degree and did a long stint of teaching at university (yes, I DID teach after all!) while successfully publishing articles for magazines.

The End: Fulfillment

Nina outside Bakka Books in Toronto where her novel is for sale

My non-fiction pieces became my entrance into the world of fiction (much harder to break into) and I used this venue to polish my writing skills in fiction (don’t let anyone tell you that non-fiction can’t be exciting, bending to many of the same rules as in fiction writing). Once I began publishing fiction stories, I never looked back. And as far as I’m concerned, the sky’s the limit now.

Not too long ago, I quit my day job and moved across the country to an artistic community on the east coast. I am currently travelling the world and pursuing my dream as a full-time author and writing coach. It’s not an easy life. And it can be lonely at times. But it is so incredibly fulfilling and blessed with meaning.

Come, walk with me and pursue your dream. It’s for the taking.

Hi there!

Nina Munteanu - The Writing Life

You’ve landed on the website of Nina Munteanu, internationally published Canadian SF author and ecologist.  Nina is living her dream of the writing life!  She is currently putting the finishing touches on her next science fiction novel.  And if you’re lucky, you might catch her at one of her writing workshops where she coaches great fiction writing!

The Mentor: Nina is frequently sought after for one-on-one mentoring as well as personal coaching and group workshops on all aspects of writing and publishing.  Because she has published frequently in both fiction and non-fiction, she knows exactly how to help her clients succeed in getting their works published.

The Ecologist: Nina currently does research and gives talks in science and limnology (No! That isn’t the study of limbs! She studies freshwater) and is driven by a passion to help keep our planet’s environment healthy.  In April 2010 she participated in talks with the Dalai Lama as part of the Mind and Life XX Conference on Altruism and Compassion in Economics in Zurich, Switzerland, where she participated in discussions on the use of ecological relationships in economic policy. Nina is a passionate traveler, and has tasted her way around the world from Bangkok to Paris.

The Author: Nina has published award-nominated short stories all over the planet (with translations into Greek, Romanian, Polish, and Hebrew). Two of her several novels, “Angel of Chaos” and “Darwin’s Paradox” (science fiction ecological thrillers by Dragon Moon Press), explores humanity’s co-evolution with machine intelligence and Nature’s intelligence. She also writes critical essays and reviews, several of which have appeared in Strange Horizons, IROSF, and The New York Review of Science Fiction. Her personal heroes include Dr. Lynn Margulis and author Ray Bradbury. Nina’s guidebook on writing, The Fiction Writer: Get Published, Write Now! is currently used in schools and universities across North America.

The Blogger: Nina is also  The Alien Next Door, author of the award-wining blog which hosts lively discussions on pop culture, travel, science, writing and philosophy. Nina co-authors an environmental blog on climate change, Climate of Our Future. She frequently guest-blogs on Toulouse LeTrek, her feline friend’s travel blog.

• Show, don’t tell: a common error of beginning writers is to use dialogue to explain something that both participants should already know but the reader doesn’t. It is both awkward and unrealistic and immediately exposes you as a novice. For instance, avoid the use of “As you know…” It’s better to keep the reader in the dark for a while than to use dialogue to explain something. Which brings us to the next point.
• Have your characters talk to each other, not to the reader: for instance, “Hello, John, you loser drunk and wayward son of the most feared gangster in town!” could be improved to, “You stink like a distillery, John! Wait ‘til papa’s thugs find you!”
• Avoid adverbs: e.g., he said dramatically, she said pleadingly; instead look for better ways to express the way they said it with actual dialogue. That’s not to say you can’t use adverbs (I believe J.K. Rowling is notorious for this), just use them sparingly and judiciously.
• Avoid tag lines that repeat what the dialogue already tells the reader: e.g., “I’m sorry,” he apologized. “Do you have a dog?” she asked.
• He said, she said: reduce tag lines where possible and keep them simple by using “said”; another sign of a novice is the overuse of words other than said (e.g., snarled, hissed, purred, etc.). While these can add spice, keep them for special places as they are noticed by the reader and will distract otherwise.
• Pay consistent attention to a character’s “voice”: each character has a way of speaking that identifies them as a certain type of person. This can be used to identify class, education, culture, ethnicity, proclivities, etc. For instance one character might use Oxford English and another might swear every third word.
• Use speech signatures: pick out particular word phrases for characters that can be their own and can be identified with them. If they have additional metaphoric meaning to the story, even better. For instance, I know a person who always adds “Don’t you think?” to almost everything they say. This says something about how that person… well, thinks… I knew another person who always added “Do you see?” at the end of their phrase. Again rather revealing.
• Intersperse dialogue with good descriptive narrative: don’t forget to keep the reader plugged into the setting. Many beginning writers forget to “ground” the reader with sufficient cues as to where the characters are and what they’re doing while they are having this great conversation. This phenomenon is so common, it even has a name. It’s called “talking heads.”
• Contradict dialogue with narrative: when dialogue contradicts body language or other narrative cues about the speaker, this adds an element of compelling tension and heightens reader excitement while telling them something important. Here are a few examples:

  “How’d it go?”
  “Great,” he lied.

  “I feel so much better now,” she said, jaw clenched.
  “It’s okay; I believe you.” His heart slammed.

  Well, you get the picture, anyway. Hope this helps. Keep writing!

1. Voice: This is the feel and tone that applies to the overall book (narrative voice) and to each character. The overall voice is dictated by your audience, who you’re writing for: youth, adults, etc. It’s important to give each character a distinctive “voice” (including use of distinct vernacular, use of specific expressions or phrases, etc.). This is one way a reader can identify a character and find them likeable—or not. In a manuscript I recently reviewed, I noticed that the characters spoke in a mixture of formal and casual speech. This confuses the reader and bumps them out of the “fictive dream”. Consistency is very important for readers. They will abandon a story whose writing is not consistent. So, my advice to this writer was to pick one style for each character and stick to it. Voice includes what a character says. It incorporates language (both speech and body movements), philosophy, humor. How a character looks, walks, talks, laughs, is all part of this. Let’s take laughter for instance: does your character tend to giggle, titter, chortle, gafaw, belly-laugh? Do any of your characters have conflicts with one another? Either through differences in opinions, agendas, fears, ambitions… etc. One learns so much from the kind of interaction a character has with his/her surroundings (whether it’s another character or a scene).

2. Point of View (POV): Many beginner’s novels are often told through no particular POV. Many first manuscripts often start in the omniscient POV (that of the narrator) and ever so often may lapse into one of the character’s POV briefly. This makes for very “telling vs showing” type of writing (not to mention being inconsistent again). 90% of writers do not write this way because it tends to be off-putting, it distances the reader from the characters, and is very difficult to achieve and be consistent with. Most writers prefer to use limited third person POV (told from one or a few key characters; that is, you get into the head and thoughts of only a few people: all the observations are told through their observations, what they see, feel and think). This bonds the reader to your characters and makes for much more compelling reading. I would highly suggest you adopt this style. That’s not to say that you can’t use several POVs… just not at the same time; it is the norm to use chapter or section breaks to change a POV.

3. Passive vs. Active Verbs: beginners often use a lot of passive verbs (e.g., were, was, being, etc.). Some use too may modifiers. Try to find more active verbs. Many writers fall into the pattern of using verbs that are weak and passive (and then adding a modifier to strengthen it…it doesn’t). Actively look for strong, vivid verbs. This is a key to good writing. I can’t emphasize this enough. For instance, which version is more compelling: ‘she walked quickly into the room’ or ‘she stormed into the room’?

4. Show, don’t tell: this is partly a function of POV and use of active verbs. Once you change to 3rd person, much of this will naturally resolve itself. An example of telling vs. showing is this: [He was in a rage and felt betrayed. “You lied, Clara,” he said angrily, grabbing her hand.] instead, you could show it: [His face smoldered. “You lied, Clara,” he roared, lunging for her.] Telling also includes large sections of exposition, either in dialogue or in narrative. This happens a lot in beginning writer’s stories. It takes courage and confidence to say less and let the reader figure it out. Exposition needs to be broken up and appear in the right place as part of the story. Story is paramount. “Telling” is one of the things beginning writers do most and editors will know you for one right away. Think of the story as a journey for both writer and reader. The writer makes a promise to the reader that s/he will provide a rip-roaring story and the reader comes on side, all excited. This is done through a confident tease in the beginning and slow revelation throughout the story to keep it compelling. Exposition needs to be very sparingly used, dealt out in small portions.

5. Unclutter your writing: There is a Mennonite adage that applies to writing: “less is more”. Sentences in early works tend to be full of extra words (e.g., using “ing” verbs, add-ons like “he started to think” instead of simply “he thought”). Cut down the words in your paragraphs (often in the intro chapters) by at least 20%. Be merciless; you won’t miss them, believe me, and you will add others later in your second round of edits.

• Barnes & Noble
• Chapters-Indigo
• White Dwarf Books (Vancouver)
• The Sentry Box (Calgary)
• various online bookstores (as an ebook)

You can also buy or order the book at Target (www.target.com), one of the major department stores in the U.S. as well as India and Malaysia, Wallmart, or purchase it online at Buy.com, another major retail store.

And those are only the ones I know about (the writer tends to know paltry little when it comes to publishery stuff). If you’ve enjoyed my blog articles and short stories and enjoy thoughtful and provative science fiction (with a kicking plot) and are inclined to purchase Darwin’s Paradox, then here are a few things that I unabashedly, shamelessly exhort you, dear reader, to do:

• If purchasing through Amazon, purchase my book on the day of release (November 15, 2007) to drive sales that day into such significant figures to make my book noticeable on the Amazon radar (which will place the book so that more people will see it)
• go to your local bookstore and ask them to order Darwin’s Paradox

And if you’re interested in an audiobook (with voice artist Heather Dugan) we’ll be arranging that too, hopefully.

So, today’s Friday Feature, is run by the incredibly talented and energetic Karen Mason and dedicated to my book, “Darwin’s Paradox”. And through no major stretch of the imagination, it’s also called “Darwin’s Paradox“.

What wonderful items can you find there? Well, here are a few juicy bits:

• Chapters One through Thirteen of the book (available in eight different languages: French, German, Italian, Portuguese, Spanish, Japanese, Korean and Chinese)
• podcasts of chapters One to Thirteen (so far) done by voice artist Heather Dugan
• schedule of my appearances (including conventions and booktours)
• select interviews
• writing tips
• media kit (including press release, media material, etc.)

I am so indebted to Karen for tirelessly running this site and for her astute advice on blogging, internet navigation, media design, logic, human behaviour (remember, I’m an alien) and good wine.

This Friday, in keeping with a literary theme, I’ve linked you to a Forbidden Library. This library boils overful with an oozing cornucopia of ‘demoralizing’, ‘blasphemous’, ‘racial’, ‘offensive’, ‘obscene’, ‘anti-Communist’, ‘Satanic’, and ‘anarchistic’ literature. Ah, yes, you say! How subversive. Check it out! Its librarian, Janet Yanosko, has indexed books by author and title with explanation of why the book was banned along with her own amusing rather pithy remarks. You’ll find books that people found offensive like:

• Fahrenheit 451 by Ray Bradbury: a book on censorship gets censored!
• James and the Giant Peach by Roald Dahl: promotes drugs and disobedience
• Where’s Waldo by Martin Handford: for nudity
• 1984 by George Orwell: for being pro-communist
• The Lorax by Doctor Seuss: because it criminalizes the logging industry
• Zen Buddhism: selected writings by D.T. Suzuki: because it portrays Buddhism as appealing
• Slaughterhouse Five by Kurt Vonnegut: for its foul language

Books have been banned (and burned) on many occasions by many societies over humankind’s history of existence for various reasons. Books considered critical of governments or societies with power were a common target. So were books that dealt with criminal matter or promoted views counter with popular worldviews, or were considered distasteful or disturbing.

The Bible, the Qur’an and other religious works were banned (and burned) over the years. In Medieval Europe, the Roman Catholic Church dealt with dissenting printed opinion through a program called the Index Librorum Prohibitorum (index of prohibited books). Okay, here’s a partial list I got off Wikipedia with reasons for banning. I’ve bolded the ones I’ve read. How many did YOU read?

• Alice’s Adventures in Wonderland by Lewis Carroll: for portraying animals and humans on the same level
• The Age of Reason by Thomas Paine: banned in UK for blasphemy in 18th C
• All Quiet on the Western Front by Erich Maria Remaraque: banned in Nazi Germany for demoralizing and insulting the Wehrmacht
• Animal Farm by George Orwell: banned for anti-Stalin theme
• Adventures of Huckleberry Finn by Mark Twain: banned in some U.S. schools for use of racial slurs
• Bible: banned by the Index Librorum Prohibitorum in Catholic Church
• Black Beauty by Anna Sewell: banned in South Africa for using the word ‘black’
• Brave New World byAldous Huxley: banned for centering around negative activity
• Canterbury Tales by Geoffrey Chaucer: banned for sexual content
• Catcher in the Rye by J.D. Salinger: banned in some U.S. schools and libraries for sexual situations, immorality and other themes of impropriety and anti-Christian sentiments
• Civil Disobedience by Henry David Thoreau: banned in U.S. during McCarthyism
• Clan of the Cave Bear by Jean Auel: banned because of hardcore graphic sexual content
• The Communist Manifesto by Karl Marx and Friedrich Engels: banned in anti-Communist countries during the Red scare
• Doctor Zhivago by Boris Pasternak: banned in USSR for criticism of the Bolshevik Party
• Fahrenheit 451 by Ray Bradbury: for issues on censorship
• For Whom the Bell Tolls by Ernest Hemingway: banned in Spain during Francisco Franco’s rule for its pro-Republican views
• Gone with the Wind by Margaret Mitchell: banned in part of U.S. because of the use of the word ‘nigger’
• Grapes of Wrath by John Steinbeck: banned in some U.S. schools for use of the name God and Jesus in a vain and profane manner along with inappropriate sexual references
• Gulliver’s Travels by Jonathan Swift: banned in Ireland as wicked and obscene
• Hamlet by William Shakespeare: banned in Ethiopia
• Harry Potter by J.K. Rowling: banned in some U.S. school libraries for use of witchcraft and supposedly Satanic views
• King Lear by William Shakespeare: banned in UK out of respect to King George III’s aleged insanity
• Lady Chatterley’s Lover by D.H. Lawrence: banned in U.S. and UK for obsenity
• The Lion, the Witch and the Wardrobe by C.S. Lewis: challenged in part of U.S. for depicting graphic violence, mysticism and gore
• The Lorax by Dr. Seuss: banned in parts of U.S. for being an allegorical political commentary
• The Martian Chronicles by Ray Bradbury: challenged in U.S. for profanity
• Mein Kampf by Adolf Hitler: reproduction and sale is forbidden outside Germany, Austria and Netherlands for promoting Nazism
• Le Morte D’Arthur by Sir Thomas Malory: challenged in UK as ‘junk’
• 1984 by George Orwell: banned in USSR for political reasons; banned in U.S. for being pro-communist and for explicit sexual matter
• Of Mice and Men by John Steinbeck: banned in some U.S. schools and libraries for promoting ‘euthanasia’ and for profanity
• The Odyssey by Homer: Plato suggested expurgating it for immature readers and Caligula tried to suppress it for expressing Greek ideals of freedom
• On the Origin of Species by Charles Darwin: banned in various places for promoting the evolutionary theory
• Paradise Lost by John Milton: listed on the Indx Librorum Prohibitorum in Rome
• To Kill a Mockingbird by Harper Lee: challenged due to racial themes
• Ulysses by James Joyce: banned in U.S. for its sexual content
• Uncle Tom’s Cabin by Harriet Beecher Stowe: banned in southern States and Czarist Russia for racist portrayal of African Americans and use of word ‘nigger’.

Okay, so I read a lot of them. Does that make me a subversive? How about you? I find it interesting to note that books published as recently as “Harry Potter” are banned as wicked or even evil.

This all begs the question of what art truly is and should be. Susan Sontag suggested that “real art makes us nervous.” The genius of art skirts the edge of propriety and comfort to ask the questions that help us define our own humanity. Oscar Wilde remarked, “an idea that is not dangerous is unworthy of being an idea at all.” Benjamin Franklin suggested that, “if all printers were determined not to print anthing till they were sure it would offend nobody, there would be very little printed.“

Henry Steel Commager eloquently stated that, “censorship…creates, in the end, the kind of society that is incapable of exercising real discretion.” John F. Kennedy further added that, “…a nation that is afraid to let its people judge the truth and falsehood in an open market is a nation that is afraid of its people.”

Lillian Hellman, who was subpoenaed to appear before the House of Un-American Activities Commitee in 1952, exclaimed, “I cannot and will not cut my conscience to fit this year’s fashions.”

Live and write from the heart.