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mars phoenix The Phoenix Landing & The Martian Chronicles

They came because they were afraid or unafraid, happy or unhappy. There was a reason for each man. They were coming to find something or get something, or to dig up something or bury something. They were coming with small dreams or big dreams or none at all—Ray Bradbury (The Martian Chronicles)

When I was but a sprite, and before I became an avid reader of books (I preferred comic books), I read Ray Bradbury’s The Martian Chronicles. It changed me, what I thought of books and what I felt about the power of stories. It made me cry. And perhaps that was when I truly decided to become a writer. I wanted to move people as Bradbury had moved me.

The Martian Chronicles isn’t really about Mars (though I’ve chosen to give it my Friday Feature placement as homage to the recent Phoenix landing on the red planet). True to Bradbury’s master metaphoric story-telling, the Martian Chronicles is about humanity. Who we are, what we are, and what we may become. What we inadvertently do—to others, and finally to ourselves—and how the irony of chance can change everything. mars02 The Phoenix Landing & The Martian Chronicles

It is, as the 1970 Bantam book jacket so aptly says, “a poetic fantasy about the colonization of Mars. The story of familiar people and familiar passions set against incredible beauties of a new world…A skillful blending of fancy and satire, terror and tenderness, wonder and contempt.”

An editorial review on Amazon.com sums up the tone of the book well: From “Rocket Summer” to “The Million-Year Picnic,” Ray Bradbury’s stories of the colonization of Mars form an eerie mesh of past and future. Written in the 1940s, the chronicles drip with nostalgic atmosphere–shady porches with tinkling pitchers of lemonade, grandfather clocks, chintz-covered sofas. But longing for this comfortable past proves dangerous in every way to Bradbury’s characters–the golden-eyed Martians as well as the humans. Starting in the far-flung future of 1999, expedition after expedition leaves Earth to investigate Mars. The Martians guard their mysteries well, but they are decimated by the diseases that arrive with the rockets. Colonists appear, most with ideas no more lofty than starting a hot-dog stand, and with no respect for the culture they’ve displaced.

Here are some excerpts. I hope they inspire you to read more of this evokative collection of short stories by a master storyteller and philosopher…it may change you…

~~~~~~~

martian chronicles The Phoenix Landing & The Martian ChroniclesRocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.

Rocket summer. People leaned from their dripping porches and watched the reddening sky.

The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment on the land…

~~~~~~~

They had a house of crystal pillars on the planet Mars by the edge of the empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnet dust which, taking all dirt with it, blew away on the hot wind. Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard…you could see Mr. K in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp. And from the book, as his fingers stroked, a voice sang, a soft ancient voice, which told tales of when the sea was red steam on the shore and ancient men had carried clouds of metal insects and electric spiders into battle…

This morning Mrs. K stood between the pillars, listening to the desert sands heamartian landscape The Phoenix Landing & The Martian Chroniclest, melt into yellow wax, and seemingly run on the horizon.

Something was going to happen.

She waited.

~~~~~~~

What follows is a profound and tender analysis of the quiet power humanity can wield unawares. What follows is a tragic tale that reflects only too well current world events where the best intended interventions can go awry. Ah, you’ve been there too… from the meddling friend who gossips to “help” another (only to make things worse) to the righteous “edifications” of a religious group imposing its “order” on the “chaos” of a “savage” peoples…to the inadvertent tragedy of simply and ignorantly being in the wrong place at the wrong time (e.g., the introduction of weeds, disease, etc. by colonizing “aliens” to the detriment of the native population; e.g., smallpox, AIDs, etc.). Bradbury is my favorite author for this reason (yes, and because he makes me cry…)

ray bradbury The Phoenix Landing & The Martian ChroniclesBiography of Ray Bradbury:
Ray Bradbury was born in Waukegan, Illinois, to a Swedish immigrant mother and a father who was a power and telephone lineman. His paternal grandfather and great-grandfather were newspaper publishers. Bradbury read and wrotr throughout his youth, spending much time in the Carnegie Library in Waukegan. He used this library as a setting for much of his novel Something Wicked This Way Comes, and depicted Waukegan as “Green Town” in some of his other semi-autobiographical novels — Dandelion Wine, Farewell Summer — as well as in many of his short stories. Bradbury graduated from the Los Angeles High School in 1938 but chose not to attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. He continued to educate himself at the local library, and, influenced by science fiction heroes like Flash Gordon and Buck Rogers, he began to publish science fiction stories in fanzines in 1938. A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood’s glowing review followed and substantially boosted Bradbury’s career. List of works by Ray Bradbury

Ray Bradbury’s Official Site: http://www.raybradbury.com/

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 Nina’s Booktour Continues

Almost two weeks ago, and with great coverage by the local press (the Surrey Leader), I fulfilled a fantasy by appearing at the Strawberry Hill Chapters store in Surrey, British Columbia, to sign my book, Darwin’s Paradox. Once or twice a month I used to meet three other friends who’d formed a writer’s group we’d called Critical Ms. Starbucks coffee in hand, I met them in the small alcove with comfortable chairs to trade industry stories, critique each other’s work, and dream of  Nina’s Booktour Continueshaving my book on the shelf behind us (it was the science fiction section of the store). Last week I realized that dream and more! What’s really cool is that one of the other Critical Ms writers, Lois J. Peterson, is also launching her book this fall. It’s a YA novel called, Meeting Miss 405 by Orca Press. I even had a surprise visit from Brian Hades of Edge Publishing, the parent company of Dragon Moon Press—he was just passing through town… Sure! Brian had found these cool see-into-the-future glasses at a strange Vancouver antique shop and thought of me… funny that…But don’t I look intelligent in them?…

My signing at the Granville & Broadway Chapters store in Vancouver the following week was yet  Nina’s Booktour Continuesanother adventure. As always, I met very interesting patrons, including two Romanian ladies (Silvia Boiceanu and Maria Moise) who, after introducing themselves, decided to linger and watch me “in action” and occasionally waved at me, smiling. I also met Twyla Anderson, a budding novelist and practiced my French with Agnes Lacombe, an elegant lady from France. Hildegard Zander engaged me in a long philosophical conversation that ranged from the transcending songs of French singer Gilbert Becaud to the environmental basis of cultures.

Then Stephen Saint Laurent, Prince George videographer, stopped by and gave me an impromptu interview. I also had the unexpected pleasure of meeting a long-time friend who I hadn’t seen in a while. She’d spotted Chapter’s billboard advertisement outside the store and had noted the time. Barb Meier is a talented artist and craftsm Nina’s Booktour Continuesan who makes books from scratch (paper, cover and binding!). That’s Barb pointing at my display. My sister, Doina Maria (and my partner in imagination from when we were kids) is standing beside her. She’d come to lure me away with promises of calamari and red wine.

My book signing at the Granville store experienced some added excitement as a student  Nina’s Booktour Continuesrally of over 500 protesters passed the store in a flourish of banner waving and boisterous shouting. The patrons of the store, myself included, emerged to watch as police-escorted demonstrators waving “Free Tibet from China” signs and shouting slogans, marched past us. Tibetan supporters from Vernon to Victoria were rallying against the violence in the tumultuous Chinese-controlled region; they marched from the art gallery to the Chinese consulate, where they chanted, burned Chinese flags and acted out scenes of violence. paris06 Nina’s Booktour Continues

I will finalize my local book tour with a signing at Blackbond Books in Richmond and a Chapters store in Burnaby (Metrotown). Then I’ll be flying to Paris, France where… I think Darwin will take a holiday with me. Truthfully, I am travelling there (and possibly to Berlin) to research my next book, a historical fantasy about a young girl in medieval Prussia who discovers that she can alter history. More on that in another post…

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arthur c clarke06 Arthur C. Clarke—Homage to a Visionary

The only way of finding the limits of the possible is by going beyond
them into the impossible
—Arthur C. Clarke

When I was in my early twenties (some time ago) I read Childhood’s End by Arthur C. Clarke. He’d written it a year before I was born. I remember being moved by the story’s grandness and scope about the transformation of humanity. On the slightly garish cover of the Ballantine science fiction classic book jacket Gilbert Highet’s endorsement said, “…a real staggerer by a man who is both a poetic dreamer and childhoods end Arthur C. Clarke—Homage to a Visionarya competent scientist.” This remains an apt assessment of this self-professed “mildly cheerful” British science fiction author, inventor, and futurist, perhaps best known for the novel 2001: a Space Odyssey (also about the transformation of humankind).

On March 19 of this year, Arthur C. Clarke died at age ninety in Colombo, Sri Lanka, where he’d made his home since 1956. He left behind a legacy of incredibly imaginative works, valuable scientific inventions and concepts and profoundly thoughtful discussions of the future.

During the time Clarke served in the Royal Air Force as a radar instructor and technician (from 1941 to 1946) he proposed satellite commuarthur c clarke02 Arthur C. Clarke—Homage to a Visionarynication systems, which won him the Franklin Institute Stuart Ballantine Gold Medal (in 1963) and a nomination in 1994 for a Nobel Prize. What you might not have known about him is that he was an avid scuba diver and helped fight for the preservation of lowland gorillas, which won him the UNESCO-Kalinga Prize in 1962. Clarke was also fascinated with the paranormal and admitted that it was part of the inspiration for his novel Childhood’s End. He was named a Grand Master by the Science Fiction Writers of America in 1986. And in 2000, he was knighted. Yes, he is Sir Arthur Charles Clarke. He served as the first Chancellor of the International Space University from 1989 to 2004, has an asteroid named in his honour and a species of ceratopsian dinosaur (Serendipaceratops arthurcclarkei), discovered in Inverloch in Australia.

Born in Minehead, Somerset, England, Clarke enjoyed stargazing and reading old American science fiction pulp magazines when he was a boy. His first professional sales (e.g., Loophole and Rescue Party)appeared in Astounding Science Fiction in 1946 at age 29. In 1948, Clarke wrote The Sentinel for a BBC competition; although it was rejected it represented a turning point in Clarke’s writing, which introduced a more mystical and cosmic element to his work (the Sentinel was the basis for his best known work, 2001: A Space Odyssey). Many of his subsequent works (including Childhood’s End) features the theme of a technologically advanced but prejudiced humankind being confronted by a superior alien intelligence—the encounter of which prarthur c clarke04 Arthur C. Clarke—Homage to a Visionaryoduces a conceptual breakthrough that accelerates humanity into the next stage of its evolution.

Among Clarke’s visionary science (fiction) and inventions, some of his most notable include the following:

  • Geostationary satellites as telecommunications relays (described in a paper in Wireless World, October 1945 entitled, Extra-Terrestrial Relays—Can Rocket Stations Give Worldwide Radio Coverage?) The geostationary orbit 36,000 km above the equator is officially recognized by the International Astronomical Union as a “Clarke Orbit”;
  • Space elevators (first described in The Fountains of Paradise, 1979); and,
  • A “global library” (in Profiles of the Future, 1962).

We get a good sense of Clarke’s beliefs and philosophy in his works. In his introduction of Mysterious World: Strange Skies, Clarke said, “I sometimes think that the universe is a machine designed for the perpetual astonishment of astronomers.” At the end of the episode, of the Star of Bethlehem (of which his favorite theory was that it was a pulsar) he added, “How romantic, if even now we can hear the dying voice of a star which heralded the Christian Era.”

Iarthur c clarke03 Arthur C. Clarke—Homage to a Visionaryn the 1973 revision of his 1962 book, Profiles of the Future, Clarke added two laws to create his famous three laws of prediction, aptly termed Clarke’s Three Laws:

1. When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.
2. The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
3. Any sufficiently advanced technology is indistinguishable from magic.

Fiction is more than non-fiction in some ways…you can stretch people’s minds, alerting them to the possibilities of the future, which is very important in an age where things are changing rapidly—Arthur C. Clarke

Clarke’s most notable works include 2001: A Space Odyssey, Rendezvous with Rama, Childhood’s End, The Fountains of Paradise.

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space nebula Critique of the Motion Picture "Contact"The opening sequence of Contact tells the entire story… It is both spectacular and humbling at the same time as we begin with a view of Earth gleaming in a sunrise. An almost frantic jumble of broadcasts— news, TV shows, music—assail our ears. As we pull back from Earth and pass the outer planets, we hear older broadcasts… disco…Kennedy… the Beatles… Hitler…then ultimately the unintelligible static of all the radio stations on Earth. Then, as we leave the solar system, passing breathtaking nebulae, the sounds give way to silence. A dead silence, as we continue to pull back out of the galaxy and out of the local group of galaxies into the quiet depth of our vast universe. “It’s enough to make you feel tiny and insignificant and alone,” says Maryann Johanson of FlickFilosopher.com. “Which is precisely the feeling it’s meant to evoke.” From that vastness, we are brought back to our own “mundane” existence within it as the universe transforms into a dark reflection in the protagonist’s eye.

With a powerful entrance like that, it is hard to imagine that this 1997 movie directed by Robert Zemeckis (Forrest Gump) and based on the novel by Carl Sagan, received very mixed reviews by critics. Cindy Fuchs of the Philadelphia City Paper called it “far more mundane than its aspirations to cosmic insights might have produced.” Kevin N. Laforest with the Montreal Film Journal said, “Contact is not a bad film, but I can’t say it’s all that good either.” Even TVGuide.com rated it a two out of four: “It’s really about [Jodie] Foscontact01 Critique of the Motion Picture "Contact"ter, and with her lips pressed tightly together and her hair carelessly shoved behind her ears, she’s utterly convincing as a researcher who’s subverted everything to a life of the mind. Unfortunately that adds up to a rather remote protagonist and Ellie is surrounded by a supporting cast of one-dimensional types…far too cold-blooded for summer audiences.” This is ironic, considering that the advertizing pitch calls Contact “a journey to the heart of the universe.” Finally, Christopher Null (Filmcritic.com) recommended it for its looks but not highly. Said Null: “Carl Sagan’s ode to the superior intelligence of aliens (and how us darned humans mess everything up) is consistently beautiful and interesting, but it never makes a point (except for that bit about the darned humans). Well, Mr. Null, I think you’ve missed the point, as have some of the critics I have just quoted. Contact—and its somewhat tortured protagonist—demonstrates much in the way of “heart” and in doing so, makes a compelling story. Hearts beat deeply inside us, and this movie is no different; its “heart” runs deep, deep beneath the surface rhetoric that seems to have distracted several critics who likely prefer to take a shallow sip of their coffee steaming hot than wait and savor the rich flavor of a dark blend in a deep swallow. Perhaps I’m too harsh, you say. Well, hear me out. Here’s my argument:

First of all, for those of you who have not yet seen this 1997 motion picture by Time Warner, Contact examines the moral, social and religious implications of our first contact with extraterrestrial intelligence through the personal journey of astronomer, Eleanor (Ellie) Arroway (played impeccably and sensitively by Jodie Foster). Never knowing her mother (who died at child birth) and having lost her father when she was ten, Ellie grows into a strong-willed scientist who dedicates her life to finding alien life in the universe by foregoing a career at Harvard to join a SETI Observatory in the Puerto Rico jungle. In an earlier scene with her father, she asks the question we have all pondered at least once: “Do you think there are people on other planets?” to which her father blithely answers, “if it’s just us, seems like an awful lot of wasted space,” a simple argument that appeals to the young logically-minded Ellie and one that will dominate the perseverance of her adult life in her resolute search for life in the universe.

contact05 Critique of the Motion Picture "Contact"And persevere Ellie must, because nothing comes easy for her. Shortly after she settles at the SETI Observatory her teacher (and nemesis) David Drumlin (Tom Skerritt) pays her a visit with implied threats of shutting the place down. Ellie also meets Palmer Joss (Mathew McConaughey), a man of faith, who is writing a book about the effects of science and technology on the third world. Although she is attracted to him, alarm bells go off in Ellie, who feels threatened by his faith (something she does not outwardly understand yet clings to in another form). Wanting to see him again, she introduces him to the man he wants to interview: Drumlin. And one of the most poignant conversations follows:

When Ellie challenges Drumlin’s apparent wish to do away with all pure research, he responds with, “What’s wrong with science being practical, even profitable? Nothing—”
Palmer cuts in, “—As long as your motive is the search for truth, which is exactly what the pursuit of science is.” Drumlin counters peevishly, “Well, that’s an interesting position coming from a man who crusades against the evils of technology.” To which Palmer responds, “I’m not against technology; I’m against the men who deify it at the expense of human truth.”

Palmer and Ellie collide from two different worlds and despite their differences, they are profoundly attracted to one another. But as quickly as she falls for Palmer, she recoils from him.

Nothing comes easy for Ellie: “small moves, Ellie,” her father is accustomed to telling her, “small moves…” Shortly after she and her colleagues have been shut down by Drumlin and have set up anew (thanks to eccentric billionaire entrepreneur, S.R. Hadden, played by John Hurt), Drumlin and others shut them down yet again. But, as though a greater force intervencontact02 Critique of the Motion Picture "Contact"es, this is when Ellie makes her momentous discovery and intercepts an alien message from Vega, a young star still surrounded by a proto-planetary cloud of debris about 27 light years away from us. The scene is scientifically plausible and elegantly powerful— it gave my husband goose-bumps (even the second time watching!)—as we witness the drama of this phenomenal discovery unfold in a frisson of action. Zemeckis wisely shows us exactly how such an event would really play out. And Sagan didn’t pick Vega out of whimsy: a sphere sixty light years thick of radio communication radiates from Earth from our radio and TV broadcasts. These signals may be captured by alien technology and sent back as a “message”. In theory, such a signal could be received on Earth anytime after 1990, the round trip time for a light or radio signal to travel to Vega and back from the first global signal, which in itself is momentous and telling. In another spine-tingling scene, the scientists who have descended upon Ellie decipher the arcane harmonics of the “message” as the broadcast of the opening ceremony of the Berlin Olympics in 1936 (the first truly global TV broadcast made) over which Hitler presided. In fact, in another stroke of irony, the now infamous swastika is the first icon they decipher. Later still, they discover embedded instructions to build a machine that appears made to take a human on an extra-galactic trip.

At the same time that Ellie intercepts this message, Palmer Joss experiences a meteoric rise to stardom with his bestselling book, Losing Faith: the Search for Meaning in the Age of Reason (which could well have been the alternate title for the film; it certainly describes the subtext of the story and the major thematic element: Faith & Meaning). In an interview with a prominent news show host, Palmer asks the question that most of us have avoided: “The question that I’m asking is this: are we happier? Is the world fundamentally a better place because of science and technology?…We shop at home, we search the web—at the same time we feel emptier, lonelier, and more cut off from each other than any other time in human history…We have meaningless jobs, we take frantic vacations [and] trips to the mall to buy more things to fill these holes in our lives.” Ironically, Palmer touches a similar nerve in Ellie when he brings up her dead parents: “It must have been hard… being alone…” insinuating that her fanatical search for intelligent alien life may simply be filling a hole in her heart. She flees Palmer shortly after, fearing his revealing intimacy. When they next meet, years later, they fall naturally into their familiar banter and she turns the table to challenge his faith in the same way: “What if science simply revealed that [God] never existed in the first place?” She then evokes Occam’s Razor, which says that “…all things being equal, the simplest explanation tends to be the right one…what’s more likely? An all powerful mysterious God [who] created the universe then decided not to give us proof of his existence or that he simply doesn’t exist at all and we created him so we wouldn’t have to feel so small and alone?” Both of them are saved from an answer by the intrusive rings of their cell phones.

Ironically again, it is Ellie’s lack of belief in God that causes her to be overlooked for the momentous journey in the alien craft, in favor of the crafty Drumlin with the oily smile. Unfortunately, a religious zealot sabotages the mission and Drumlin, along with the whole alien craft and construct, are blown up in a spectacular explosion at NASA’s Cape Canaveral. Ellie gets her chance after all when they build a second one. Her journey in the alien space craft, which we are later told takes up eighteen hours of her time but passes instantaneously on Earth (to the pspace RosetteNebula Critique of the Motion Picture "Contact"oint where they all think nothing actually happened), is truly epic and elegantly portrayed. Her encounter with the aliens is also in keeping with the plot and imagery of the story. One of the most poignant scenes in the movie is the one where Ellie is introduced to the incredible and indescribable beauty of the vast Universe. It is at this point that she experiences her epiphany: science is not the sole purveyor of truth in the Universe. As she gazes at the splendor revealed before her, she acknowledges that the language of science is unable to express the sheer magnitude of the breathtaking scene. Grasping at something to say, she blusters with a scientific term then finally gasps, “No words…to describe it…they should have sent a poet…”
Upon her return, Ellie is challenged by skeptics who think she suffered a giant delusion (remember that on Earth, no time had passed during her supposed eighteen-hour voyage). Ellie offers up a strained scientific explanation (e.g., wormhole travel through space-time also called Einstein-Rosen bridges) which is challenged by National Security Advisor, Michael Kitz (James Woods) as only theory, and must finally resort to her faith; one she selflessly offers to the world: “I… had an experience. I can’t prove it, I can’t even explain it, but everything that I know as a human being, everything that I contact03 Critique of the Motion Picture "Contact"am tells me that it was real. I was given something wonderful, something that changed me forever. A vision of the universe, that tells us undeniably, how tiny, and insignificant and how… rare, and precious we all are. A vision that tells us that we belong to something that is greater than ourselves, that we are not, that none of us are alone.”

Frederic and Mary Ann Brussat of Spirituality Practice said it best: “Robert Zemeckis has fashioned a truly awesome movie that celebrates the spiritual practices of listening, wonder, love, and zeal. It affirms that there are times and places where reason must yield to mystery.”

The SETI Institute, who currently conduct the search for alien life, have a website dedicated to the move: http://www.seti-Inst.edu/phoenix/contact.html.

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tikulin the quest The Illustrations of Tomislav TikulinHe’s one of the brightest stars in the fantasy and science fiction world. His digital art evokes vivid yet fantastical landscapes that transport your mind and elevate your soul. Croatian illustrator, Tomislav Tikulin, is my Friday Feature.

Tikulin, who was born and lives in Zagreb, Croatia, recently confided in me that he had never been to North America. I find this ironic, considering that his art is showcased internationally, having appeared in every country imaginable. Tomislav Tikulin’s art work has graced the covers of many SF and Fantasy books including Chris Robertson’s Voyage of Night Shining White, Arthur C. Clarke’s Rendezvous With Rama, and recently Ray Bradbury’s Dandelion Wine (50th anniversary edition).

Tikulin creates convincing images gtikulin rendezvous with rama The Illustrations of Tomislav Tikulinrounded in reality then throws them into fantastical alien landscapes. Many of his pieces evoke a sense of yearning within a grand tapestry of his imagination. Through the use of lighting, tone, filigree and color, Tikulin infuses his imagery with mood and “motion”. His art flows with a tender ache for “more”… a call to adventure…a hero’s mythic journey…a sweeping vision of the future…a whole world to discover…

 The Illustrations of Tomislav TikulinWhen Tikulin agreed to illustrate my book, Darwin’s Paradox, I was ecstatic and honored. After some conversation back and forth, he produced the striking image you all know. It has, I can assure you, been one of the main reasons people have picked up my book off the bookshelves.

Eager to meet the man responsible for the success of my book, I notified Tikulin that I would be in Zagreb, refueling, and invited him aboard my sentient ship, Vinny, for a drink. To my delight, he readily and intrepidly agreed.

Like all his predecessors, Tikulin rode the crystal beam with the ease and the sublime frisson of a Ray Bradbury character. He didn’t get sick either, I observed, as my stomach growled its typical objection. Like a giddy twelve-year old kid on his first rocket ship ride—wait, this probably was his first rocket ship ride—Tikulin asked a million questitomislav tikulin03 The Illustrations of Tomislav Tikulinons and I had to bat his hand away from the colorful crystal controls several times. Humans! So curious!…

~~~~

Once we get on board Vinny, and thinking to put Tikulin at ease so I can better interroga—er interview him, I instruct Harry, my bot, to fetch us each a pint of Canadian beer, this time a Kokanee lager. As we settle into two comfortable chairs in the aft lounge with our beers, I make my move.

SF Girl: I lean forward and make direct eye contact with this good-looking Croatian from Zagreb and decide to start with something mild and innocuous. “So, when did you know that you wanted to be an illustrator and how did you get your start?”

Tikulin: He meets my gaze with intense laughing eyes of candor. There is something very genuine about him that sets me at ease and I realize that it’s me who is nervous; not him. Tikulin drains half of the beer in one long draught, leaving some foam on his upper lip, then begins in a strong Croatian accent, “Well, it happened a couple of years ago. I was involved in the production of a point and click adventure game. My job was to make backgrounds, matte paintings, etc.” In fact, he was Chief 2-D artist on the project. “I realized that I had learned a lot of things during that production and that I must do something with that knowledge.” Tikulin tilts his head to one side and ponders the past. “I also worked as a comic colorist for many years and had a promising career but I made a decision to do something else and that was a turning point for me…[After meeting] some publishers, that was the start of a new career,” he ends with a boyish laugh.

SF Girl: I decide that he’s getting a little too comfortable as he draws another long appreciative gulp of Canadian beer (maybe he doesn’t get out much, I conclude). Still… Thinking to stir him from his beer-induced contentedness, I pry, “What does your family think of your art?”

Tikulin: He throws his head back and guffaws. “Like any other normal family, they would be more than happy if I did something else… occupations like a lawyer, doctor, or just working in some nice and clean factory…”

SF Girl: Before I realize it, I’ve grown maudlin, reminiscing about my own parents’ wishtomislav tikulin01 The Illustrations of Tomislav Tikulin that I’d chosen a normal career like planet-building engineer in the Zeta system (very lucrative work, I might add!) or an accountant with the Galactic Bank instead of the space-adventure scoundrel I’ve become… When I find him staring at me with those dark George Clooney eyes, I quickly regain my composure and ask, “What kind of things did you draw as a kid?”

Tikulin: He eases back into the soft chair, a loose smile sliding across his face that makes the thirty-two year old artist look like a boy. “As a kid I was drawing more or less the usual stuff…cowboys, Indians, spacemen, etc. I love movies, especially scifi movies…I spent many hours watching TV, maybe too much!” He flashes a grin then adds, “That was the trigger for me.”

SF Girl: “What is it about science fiction and fantasy that draws your interest, particularly to illustrate in these genres?”

Tikulin: “I love movies. I’m a movie geek. I watched a thousand times Alien, Blade Runner, original Star Wars Saga, Star Trek and other nice movies and series. I was hooked as a kid with fantastic landscapes, green slime aliens, space heroes and all sorts of villains.” So, he’d met some of my relatives, I conclude…Tikulin continues, “I like the old masters. I’m not a big fan of modern cyberpunk stories. My heart is full of sorrow because Hollywood doesn’t make Sci-Fi films like they used to.”
tomislav tikulin02 The Illustrations of Tomislav Tikulin
SF Girl: Totally disarmed by this gentle (and very good looking!) Croatian, I ask, “What’s next for Tomislav Tikulin?”

Tikulin: He flashes another of those wonderful boyish smiles. “To have fun, to make lots of covers, to make covers for Frank Herbert’s Dune, and one day to create production illustrations for a big Sci-Fi movie.”

I don’t doubt that he will. To see more of Tomislav Tikulin’s artwork or to contact him, here’s his website: http://www.tomtikulin-art.com/.

Segments of this interview were kindly borrowed from an interview in Ray Gun Revival, Issue 12 (2006), and incorporated into this one.

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