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america kentucky louisville Ninas American Book Tour: Louisville, Kentucky

Yesterday, I was in Louisville, Kentucky, and spent some time in the Hurstbourne Barnes & Noble bookstore, signing copies of Darwin’s Paradox. Get ‘em while they’re hot and newly autographed, folks!

When I first got into Louisville, I wasn’t sure how to pronounce the name. The standard English pronunciation is “looeeville” (referring to King Lou Ninas American Book Tour: Louisville, Kentuckyis XVI, for whom the city is named), which is often utilized by political leaders and the media. But most native residents pronounce the city’s name “looavul”— often this degrades further to “luvul”. The name is often pronounced far back in the mouth, in the top of the throat.
Located in north-central Kentucky close to the Indiana border, Louisville is Kentucky‘s largest city. It is ranked as either the 17th or 27th largest city in the United States depending on how the population is calculated. Louisville is famous as the home of “The Most Exciting Two Minutes in Sports”: the Kentucky Derby, the widely watched first race of the Triple Crown of Thoroughbred Racing.

Although Louisville is situated in a Southern state, it is influenced by both Midwestern and Southern culture, and is commonly referred to as either the northernmost Southern city or the southernmost Northern city in the United States.

Louisville was the site of many important innovations through history. Notable residents include inventor Thomas Edison, the first Jewish Supreme Court Justice Louis Brandeis, boxing legend Muhammad Ali, newscaster Diane Sawyer, and writers Hunter S. Thompson and Sue Grafton. Notable events include the first public viewing place of Edison’s light bulb, the first library open to African Am Ninas American Book Tour: Louisville, Kentuckyericans in the South, and medical advances including the first human hand transplant, the first self-contained artificial heart transplant, and the development site of the first cervical cancer vaccine.

Louisville had one of the largest slave trades in the United States before the Civil War and much of the city’s initial growth is attributed to that trade. During the Civil War Louisville became a major stronghold of Union forces, which kept Kentucky firmly in the Union. It was the center of planning, supplies, recruiting and transportation for numerous campaigns. Despite being surrounded by skirmishes and battles, Louisville itself was never attacked. After 1865, returning Confederate veterans took control of the city, leading to the jibe that Louisville joined the Confederacy after the war was over.
america louisville03 Ninas American Book Tour: Louisville, KentuckyThe first Kentucky Derby was held on May 17, 1875, at the Louisville Jockey Club track and 10,000 spectators came to watch Aristides win the race.

On March 27, 1890 the city was devastated and downtown nearly destroyed when an F4 tornado tore through the city at 8:30 pm as part of the Mid-Mississippi Valley Tornado Outbreak of March 1890. An estimated 74 to 120 people were killed. The city quickly recovered and signs of the tornado were nearly totally absent within a year.

In late January and February of 1937, a month of heavy rain in which 19″ fell prompted what became remembered as the “Great Flood of ’37″. The flood submerged about 70% of the city, power was lost, and it forced the evacuation of 175,000 residents, and also led to fundamental changes in where residents bought houses. Today, the city is protected by numerous flood walls.

Louisville is one cool town! You folks rock! Oh, and: “Louisville, keep it weird!” More in a future post (I met some VERY interesting people, especially at my favorite place, Starbucks!). If you missed my previous post on my “great American journey”, part one of a series entitled “America, You’re Beautiful!” go here. Well, next is Columbus, Ohio…
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author The Novelist  He said, She said: Using Dialogue

One of the most important devices to spice up narrative and increase pace is the use of dialogue. There’s a reason for this: we read dialogue more quickly; it’s written in more fluid, conversational English; it tends to create more white space on a page with less dense text, more pleasing to the reader’s eye. Dialogue is action. It gets readers involved.

Good dialogue neither exactly mimics actual speech (e.g., it’s not usually mundane, repetitive or broken with words like “uh”) nor on the other extreme does it proselytize or educate the reader through long discourse (unless the character is that kind of person). Good dialogue in a story should be somewhere in the middle. While it should read as fluid conversation, dialogue remains a device to propel the plot or enlighten us to the character of the speaker). No conversation follows a perfect linear progression. People interrupt one another, talk over one another, often don’t answer questions posed to them or avoid them by not answering them directly. These can all be used by the writer to establish character, tension, and relationship.

Below, I provide a few tips when using dialogue in your story.

  • Show, don’t tell: a common error of beginning writers is to use dialogue to explain something that both participants should already know but the reader doesn’t. It is both awkward and unrealistic and immediately exposes you as a novice. For instance, avoid the use of “As you know…” It’s better to keep the reader in the dark for a while than to use dialogue to explain something. Which brings us to the next point.
  • Have your characters talk to each other, not to the reader: for instance, “Hello, John, you loser drunk and wayward son of the most feared gangster in town!” could be improved to, “You stink like a distillery, John! Wait ‘til papa’s thugs find you!”
  • Avoid adverbs: e.g., he said dramatically, she said pleadingly; instead look for better ways to express the way they said it with actual dialogue. That’s not to say you can’t use adverbs (I believe J.K. Rowling is notorious for this), just use them sparingly and judiciously.
  • Avoid tag lines that repeat what the dialogue already tells the reader: e.g., “I’m sorry,” he apologized. “Do you have a dog?” she asked.
  • He said, she said: reduce tag lines where possible and keep them simple by using “said”; another sign of a novice is the overuse of words other than said (e.g., snarled, hissed, purred, etc.). While these can add spice, keep them for special places as they are noticed by the reader and will distract otherwise.
  • Pay consistent attention to a character’s “voice”: each character has a way of speaking that identifies them as a certain type of person. This can be used to identify class, education, culture, ethnicity, proclivities, etc. For instance one character might use Oxford English and another might swear every third word.
  • Use speech signatures: pick out particular word phrases for characters that can be their own and can be identified with them. If they have additional metaphoric meaning to the story, even better. For instance, I know a person who always adds “Don’t you think?” to almost everything they say. This says something about how that person… well, thinks… I knew another person who always added “Do you see?” at the end of their phrase. Again rather revealing.
  • Intersperse dialogue with good descriptive narrative: don’t forget to keep the reader plugged into the setting. Many beginning writers forget to “ground” the reader with sufficient cues as to where the characters are and what they’re doing while they are having this great conversation. This phenomenon is so common, it even has a name. It’s called “talking heads.”
  • Contradict dialogue with narrative: when dialogue contradicts body language or other narrative cues about the speaker, this adds an element of compelling tension and heightens reader excitement while telling them something important. Here are a few examples:

    “How’d it go?”
    “Great,” he lied.

    “I feel so much better now,” she said, jaw clenched.
    “It’s okay; I believe you.” His heart slammed.

    Well, you get the picture, anyway. Hope this helps. Keep writing!

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Paris Shakespeare and Company Shakespeare & Company in Paris

In the current historical fantasy I’m writing (which brought me to Paris to do some research) my two main characters, Vivianne and François, pass a rather famous Paris Shakespeare and Company Poets Corner Shakespeare & Company in Parisbookstore located in the heart of Paris on Rue de la Bucherie, on the Left Bank just opposite Notre Dame Cathedral: Shakespeare and Company.

Shakespeare & Company is situated in the Latin Quarter, which for centuries has been the centre of bohemian Parisian creativity and intelligentsia. For over fifty years, the bookshop has housed numerous writers and hosted readings by published and unpublished authors. Run by Sylvia Whitman, daughter of the legendary George Whitman, the bookstore looks like something in a Harry Potter movie, with stacks upon stacks of all sorts of literature. Upon entering, you’ll find yourself in a place Henry Miller described as “A wonderland of books”.

 Shakespeare & Company in ParisShakespeare and Company is open evey day from 10:00 to 23:00. If you’re touring Paris go check it out. The selection of English books is impeccable, with many by local writers. If you’re a young traveling writer looking for a place to crash, Sylvia might put you up too!
I’d like to thank Karen Mason, my extremely gifted manager and good friend, who stopped in Paris briefly on her way from London to other parts of the world. Because of her, my book, Darwin’s Paradox, is now being carried by this very cool bookstore.
Thanks, Karen!

 Shakespeare & Company in Paris

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awesome+landscape A Butterfly in Peking by Nina Munteanu

As promised while I’m away, here is my short story… about the casualties of war and violence…

A Butterfly in Peking
My brother and I cower behind my older cousin as she strides with long steps toward the foreman at the Techno Corporation Farm. The foreman slouches, legs spread apart, atop an ATV with a radio strapped to his head. He oversees several huge vehicles that worm their way across the vast field, tilling and seeding. I fix on his sun burnt belly, distended under a shirt stained with grease and old food. Indolent eyes flicker like a scorching flame. “What have we here?” he bellows. “Urchins for dinner?”

I shrink back. Greasy black hair coils like knotted rope to his shoulders. He looks like the Techno my cousin just killed and in sudden panic I wonder if he knows. She raises her chest and tilts her head back proudly. Her face is smeared with dirt and her hair is matted and tangled with leaves from spending the night in the forest. Backlit, her chaotic hair seems to give off its own light as though it’s been dipped in heaven. She says in a clear voice, “Techno vigilantes raided our farm and killed our parents.”

The foreman snorts. “Then you must be little Greenies to barbecue on a skewer—”

“We’re just children,” she counters. “We have nowhere else to go. If you turn us away you’ll be sentencing us to sure death. They don’t care who they kill. Please, you must help us.” Her hands reach out in supplication. “We work hard and we don’t eat muchShed+in+Field A Butterfly in Peking by Nina Munteanu.”

The foreman’s gaze softens and his gaze sweeps her body, eyes devouring her. She’s charmed the beast with her precocious tongue and he takes us into his lair.
~~~~

I gaze at the flat horizon that trembles in the blistering heat. The sun beats down on me and the rain-saturated field. The workmen and women have left the shiny beetles slumber in a neat row as they retire inside. My cousin and I weed the hardpan and my younger brother sweeps the kitchen floor, while they drink in the cool interior of the corporation farm workhouse and complain loudly about the poor conditions. I can hear them from here. Too little food, too much work, they shout. They argue about the revolution. The breeze flings their words in my direction.

“You’re a God-damned Greeny, Birch. They’re destroying our society!”

“They’re saving the fucking planet!”

“Oh, yeah? Not until they fuck all of us first!”

“Look around you. We’re already fucked. Technos are raping this planet—”

Chairs scrape. I brace myself for the inevitable brawl. Other raised voices join in. Soon they will spill out of the barracks, fists flying.
pg70124 A Butterfly in Peking by Nina Munteanu
Shielding my eyes from the sun, I watch my cousin dance lightly over the clods of dirt to the cistern outside the kitchen for a drink of water. The flush of heat glows on her face. Ignoring the commotion inside, she waves to me and her smile draws one out from me. A gust of wind blows up from behind, dulling the voices inside. I smell rain. The distant role of thunder murmurs of a coming storm.

It’s her thirteenth birthday today. No one will know and I wipe the surging pleasure from my mind. There will be no birthday cake. No presents. At least we are alive and safe. That is her present. The revolution, which sweeps the country like a violent storm, carves cities into rubble. It casts families across the landscape like pebbles in a rough sea. It left our parents dead in its wake, made my cousin a killer and us three orphaned itinerants, fleeing here with the hope of shelter.

She raises a cup of water from the cistern to her mouth, then lets it drop and runs into the kitchen. I’m annoyed that she has abandoned me to tend the field alone. The workhouse has grown quiet. Perhaps the workers have all fallen into a drunken stupor. The gusts rise to an open-mouthed roar and sting my eyes with dust. Coal-black clouds chase each other like predators. After a while I walk slowly to the kitchen, shielding my eyes from the flying grit.
Hearing malicious laughter within, I hesitate at the open door then force myself to creep forward. I peer around the threshold then freeze, stiff with fear.

My brother huddles, naked, on the floor. His dark clothes lie strewn like dried blood at a slaughter.

barn A Butterfly in Peking by Nina Munteanu

My cousin writhes against the strong hold of several men. Her face is pale with alarm and her eyes dark with terror. They laugh and rip off her clothes. A large man, naked from the waist down, lurches toward her and growls in a drunken slur, “Here’s the witch who convinced our piss-pot foreman to give away our food! Well, here’s some dessert for you!” He drives into her, rough and insistent, his grunts to her cries a discordant duet of lust and pain.

Someone points to me. “Look! The other kid!” They all turn. For a brief moment — an eternity — my eyes lock with hers. They plead for my help.

I bolt. Her screams chase me stumbling across the uneven soil, tripping on the ruts, refusing to glance back. My face hits the ground. I scramble up, taste dirt in my mouth, and fight into a gallop. Gulping in air. Ears ringing. Eyes blurred with tears. Nose bleeding.

Run. Stinking son of a bitch. Run. Run.

I’ve left her there, screaming. And, because I didn’t stay to hear the screams end, they never will. I hide, shivering in the forest, as the earth grows black and rain pelts me. The onslaught is over in minutes. It leaves me limp like rotting vegetation as I watch the shafts of sunlight pierce the dark mantel and touch the landscape with an unearthly glow. I inhale the skunky smell of marsh plants and imagine her ravaged body discarded on the rubbish pile like old meat. As the shadows of the afternoon enfold me in their skeletal embrace, I stumble out of my garden of moss and ferns and scuttle over the vast field, hoping no one will see me. I slide into hardpan pools and the wet clay clings to my boots and weighs me down.

When I creep into the kitchen, I find her curled like a wounded deer on the floor where they’ve left her. My brother lies pressed against her, asleep, and she strokes his whimpering face. I want to embrace her, let her cry in my arms. Instead I turn my head away and stand fixed like a stone, cold and heavy. I cannot gaze into her sunken eyes. They sting my soul.

When she finally raises herself off the floor without my help, she scoops my little brother in her thin arms, takes up her tattered clothes and limps back to the sleeping barracks. She does not look back to see if I’m following. pg20029 A Butterfly in Peking by Nina Munteanu

The days bleed into months and she appears unharmed, looking like she always did, face quietly sanguine and eyes glowing like a warm campfire. But I sense her distance. My little brother clings to her. I avoid them both. When our eyes meet one day, I imagine reproach in hers but know their gaze only reflects my own emptiness. I perceive in that ethereal look that they’ve molested her and probably my brother several times since.

When I’m not working I crawl and hide under the porch floorboards where the dirt smells acrid and I spy on the workers from inside my dark enclave. I feel cursed in my fortune. Am I successfully evading them or do the bastards leave me alone because they sense my worthlessness? I crouch there and recite poetry like she used to at bedtime to us. She is silent now. After kissing my brother on the forehead and wishing me a good night, she slips quietly into her bed. I lie stiff under the moldy covers and listen to her hitched breathing in the bed beside me. I know she’s crying herself to sleep.

Now I crouch under the porch with aching knees and recite her favorite poem like a mantra:

To see a world in a grain of sand, and Heaven in a wild flower.
Hold infinity in the palm of your hand and eternity in an hour.
He who binds himself to a joy does the winged life destroy;
He who kisses the joy as it flies lives in eternity’s sunrise.

~~~~

When the Greens liberate the Techno Corporation Farm, I return to the new city, which enjoys a peace, disrupted only by the occasional sniper — disgruntled Techno reactionaries who lurk and take pot shots at anyone. My brother returns to his schooling and my cousin and I find a livelihood under the new regime.

I embrace the Green science and soon find myself a leading scientist, giving papers at conferences and overseeing an elite cadre of researchers. Feeling secure in my growing prominence, I become daring in my work. I invoke the long abandoned chaos theory and apply it to my models of ecosystem behavior. The signature of chaos appeals to me, how the subtle effect of a single event has the potential to spiral into overwhelming and irrevocable change.

Chaoticists call it the Butterfly Effect: sensitive dependence on initial conditions, based on the strange notion that a butterfly stirring the air in Peking today could set off a tornado in Texas next month. I recognize its hand in everything I see, including the behavior of my cousin. I observe how the imperceptible mark of that initial disturbance has with time cascaded into a turbulent squall. As though a wounded bird thrashes, trapped within her, its wings smashing her insides more violently with every breath she draws in.

Seeking obscurity, she finds a position far beneath her capacity as a plant biologist in the Department of Industrial Ecology –DIE– and sinks into oblivion. I see little of her, but there is seldom a moment when I do not think of her. While I rarely have time to entertain my many casual friends in my penthouse suite because of my busy lecture tour, she languishes in the poor section of town with the bus driver she married and two wild-haired children. Is she happy?

~~~~
The day I find the courage to visit her, I feel excited and nervous like a child. I stride toward the DIE building entrance, bubbling with things to share with her. Once inside I see her waiting patiently for me in the main hall. She turns and smiles. It draws one out from me.
A loud report jolts me. She jerks back with an expression of surprise then falls, sprawling unnaturally on the floor as a red flower spreads over her breast. A woman screams and flings her hands to her mouth.

As others chase the sniper, I stand fixed like a cold stone and watch her gasp her last breaths then shiver. Her eyes flicker like a dying flame, then the light in them takes flight and her blank gaze upward is still like a dark pool. My heart beats like a mallet and I ache with a million unfinished sentences.

~~~~

I scour the chaos for those fragments of memory, taped together by longing, and see her as she once was, as she always was. She was just my cousin, but when we were still children, she killed for us. Using the hunting bow her father gave her, she slew a man who charged at us with a knife, the same one he’d used to kill our parents. When my brother was attacked, she flew to his aid and threw herself into a den of assault. Then, when she pleaded for my help, I ran away.
I was just a boy, only ten years old. Now I know better. The revolution defined what I am. She faced fear head on, bravely pushed it aside and rose to the call. I let fear chase me away.
Now, I wander dark shores, stranded in that moment of agony, still hearing her screams.

Aching to fly.
This story was published previously in Bram Stoker Award-winning webzine Chiaroscuro (Chizine),(Issue #17) July-Nov., 2003; translated and reprinted in Nowa Fantastyka (Poland) summer 2005; translated and reprinted in The Dramaturges of Yann (Greece) due 2006.

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 Nina’s Booktour Continues

Almost two weeks ago, and with great coverage by the local press (the Surrey Leader), I fulfilled a fantasy by appearing at the Strawberry Hill Chapters store in Surrey, British Columbia, to sign my book, Darwin’s Paradox. Once or twice a month I used to meet three other friends who’d formed a writer’s group we’d called Critical Ms. Starbucks coffee in hand, I met them in the small alcove with comfortable chairs to trade industry stories, critique each other’s work, and dream of  Nina’s Booktour Continueshaving my book on the shelf behind us (it was the science fiction section of the store). Last week I realized that dream and more! What’s really cool is that one of the other Critical Ms writers, Lois J. Peterson, is also launching her book this fall. It’s a YA novel called, Meeting Miss 405 by Orca Press. I even had a surprise visit from Brian Hades of Edge Publishing, the parent company of Dragon Moon Press—he was just passing through town… Sure! Brian had found these cool see-into-the-future glasses at a strange Vancouver antique shop and thought of me… funny that…But don’t I look intelligent in them?…

My signing at the Granville & Broadway Chapters store in Vancouver the following week was yet  Nina’s Booktour Continuesanother adventure. As always, I met very interesting patrons, including two Romanian ladies (Silvia Boiceanu and Maria Moise) who, after introducing themselves, decided to linger and watch me “in action” and occasionally waved at me, smiling. I also met Twyla Anderson, a budding novelist and practiced my French with Agnes Lacombe, an elegant lady from France. Hildegard Zander engaged me in a long philosophical conversation that ranged from the transcending songs of French singer Gilbert Becaud to the environmental basis of cultures.

Then Stephen Saint Laurent, Prince George videographer, stopped by and gave me an impromptu interview. I also had the unexpected pleasure of meeting a long-time friend who I hadn’t seen in a while. She’d spotted Chapter’s billboard advertisement outside the store and had noted the time. Barb Meier is a talented artist and craftsm Nina’s Booktour Continuesan who makes books from scratch (paper, cover and binding!). That’s Barb pointing at my display. My sister, Doina Maria (and my partner in imagination from when we were kids) is standing beside her. She’d come to lure me away with promises of calamari and red wine.

My book signing at the Granville store experienced some added excitement as a student  Nina’s Booktour Continuesrally of over 500 protesters passed the store in a flourish of banner waving and boisterous shouting. The patrons of the store, myself included, emerged to watch as police-escorted demonstrators waving “Free Tibet from China” signs and shouting slogans, marched past us. Tibetan supporters from Vernon to Victoria were rallying against the violence in the tumultuous Chinese-controlled region; they marched from the art gallery to the Chinese consulate, where they chanted, burned Chinese flags and acted out scenes of violence. paris06 Nina’s Booktour Continues

I will finalize my local book tour with a signing at Blackbond Books in Richmond and a Chapters store in Burnaby (Metrotown). Then I’ll be flying to Paris, France where… I think Darwin will take a holiday with me. Truthfully, I am travelling there (and possibly to Berlin) to research my next book, a historical fantasy about a young girl in medieval Prussia who discovers that she can alter history. More on that in another post…

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