For his impeccable work on the cover of my latest book Outer Diverse (the first book of the Splintered Universe Trilogy), Costi Gurgu is eligible for a Prix Aurora Award and a Hugo Award. I recently interviewed Costi on my private ship:

When I first met Costi and Vali Gurgu at the World Fantasy Convention in Montreal several years ago, I had no idea that Costi would end up creating the stunning book covers for my latest trilogy Splintered Universe or that his gorgeous wife, Vali, would serve as the model for the hero of my story, the relentless and steely detective, RHEA HAWKE.  You can find his cover art and other artworks on Costi’s illustration site.

I recently had a chance to invite Costi aboard my intelligent ship, Benny, orbiting the Earth. After settling in the aft lounge with some pockta juice, we began the interview:

Nina:     Hi, Costi. Thanks so much for agreeing to do this interview.

Costi:     Hi, Nina. The pleasure is mine.

Nina:     You came up with a “Triptych” design for the Splintered Universe Trilogy. What inspired you to come up with it and what do you like about it?

Costi:     There is the danger of spoilers in this answer. The fact is that your main character, Rhea, undergoes a certain evolution from a regular human being to… let’s just say something else. And that evolution has three parts, one for each book of the trilogy and it also has a touch of divine. So, the triptych design, so often used for religious paintings, fits like a glove on the entire concept.

Nina:     Ooh! Neat! Where can I get a copy? … (grin) … Your design for Outer Diverse (and designs for the other two covers) carries a powerful image that conjures a portal or gateway into another world (which is what the trilogy is about). The reader is drawn into an infinite landscape, looking in, and Rhea is looking out. Can you tell us a little about how you conceived this compelling design. Is there a meaning behind the symbols and colours you used?

Costi:     To be honest, the initial idea was for the red ring to be a sort of mapping device and a radar combined into one, since Rhea travels great distances in her quest. Then I realized it might as well be a portal device on top of everything else and serve all her travelling needs.

There were two options —either we would look with her outside, to whatever target she had, or look towards her. I thought that it would be more powerful if we could look towards her and see her determined face, see the unflinching resolution in her eyes, while she’s pondering her next move and readying herself to use the device once again. But to look towards her and see her in a confining room of a space ship, or such, would have defeated the purpose. So I needed to have her against the infinite landscape as the backdrop. She is in a continuous journey to discover herself and this journey takes her literally through the infinite spaces of not just one universe.

Nina:     Yes, I love the metaphoric elements you’ve woven into the design. The image speaks to us on many levels. Do you use music or other devices in your work to evoke your creativity? What other tools did you use to create the stunning cover of Outer Diverse (e.g., animation software, etc.)?

Costi:     I’m always listening to music while working. The kind of music varies depending on what I’m working on. If I’m writing for instance, I need instrumental music, without words to influence my own ones. Also, it depends on the kind of feeling and mood I try to generate through my writing or my illustration. Music helps me channel those feelings into the right words or imagery.

Technically speaking, I always start with sketches on paper, which I later scan. I mainly use Adobe Photoshop, but for this illustration I had to use Adobe Illustrator as well. Obviously, the layout and the typography were done in Adobe InDesign.

Nina:     Your wife, Vali, was the model for Rhea Hawke. I understand you had a great time doing the photo-shoot (p.s., some of the additional shoots can be seen in the Youtube book trailer).  I’ve attended several launches and events  lately (e.g., Halifax, Montreal, Toronto, Vancouver, and Bucharest) and both cover and model have been extolled. One reader compared Vali to actress Catherine Zeta Jones.  How does Vali feel about being somewhat of a celebrity?

Costi:     I’m so happy to hear that. You know, I had to decide how to treat her image. I could have gone towards a more glamorous, shiny look, like in a fashion image, or I could just simply keep it more realistic. Despite Vali’s protests, I chose to keep it that way, because I wanted to offer a realistic image of an ex-police officer: a woman who was used to fighting and chasing criminals, rather than taking care of her appearances. Now, to hear that her rougher and tougher image created that kind of reaction gives me a sort of peace and satisfaction.

As for the celebrity thing, so far we only heard that from you. Not that we don’t believe you! We’ll see when it really happens in her presence. It’s always a good feeling to taste a little bit of celebrity now and then. It certainly gives one purpose and perspective. Not to mention hope.

Nina:     You and Vali have had rich and varied careers in commercial art, law and writing. You’ve served, for instance, as art director for several high-end magazines including Playboy, and you taught graphic design at the college level. Can you tell me a little about your journey from Romania to England and finally to Toronto, Canada. Did the law degree help you in your entrepreneurial pursuits?

Costi:     Well, yes, ironically the law degree took us places. We both loved studying law. It had a unique way of opening our eyes to culture, civilization and the importance of continuously learning. Yet, while we loved studying law, we hated practicing it. After our first year of articling in Bucharest’ Law Bar Association, we didn’t like what we were doing, but more importantly, we didn’t like the people we were turning into.

Therefore, we decided to change tracks and try something a bit different. We left for England, hoping we’d get into some Master degree in Maritime Law. So, here we are, at “Open Day” at Westminster College in London. We’d enrolled for some English classes and saw a crowd at one of the Graphic Design Program tables. Some Photoshop wizard was doing a demonstration. For our untrained eye it was absolutely wonderful! We started asking questions and the “wizard” encouraged us to take his class. I don’t remember what it was called, “Digital Manipulation” or something. We replied that we’re there for Law studies, so he said—well, why don’t you take my class just for fun? So, we did and by the end of the semester we enrolled for the Graphic Design Certificate and forgot everything about Maritime Law or any other kind of Law. We’d just discovered the wonderful world of design, illustration, art direction and photography!

Nina:     That’s COOL! Did you pursue illustration and design in England?

Costi:     Well, three years later saw us going back to Romania; our families expected us to go back to the Bar Association and behave responsibly. But after showing my portfolio around I got a designer job at Playboy Magazine! The Art Director and I launched its first Romanian edition issue a few months later. Three years later I became the Creative Director of MediaPro Group, the largest publishing company in Romania and Vali took on the position of Art Director of Playboy Magazine.

Two years later we came to Canada to pursue a dream. So, yes, I could say that my law degree created the perfect opportunity for me to discover my passions for visual arts. It took me to England and eventually to Canada. Life is funny that way.

Nina:     Does Vali help you with your work and do you help her with hers?

Costi:     We help each other a lot in our work. Because we worked together in our first legal job and after that in our first design job, we have become a team. We have different approaches to the art process and we have different styles. I went deeper into illustration to complement my design skills, while she chose photography to do that.

Even now, for the most important projects we have for our different employers we involve each other not only for need of feedback, but also for need of different ideas and fresh approaches. We basically complement each other.

Not to mention that she’s always my first reader for any piece of fiction I write. She’s the toughest reader I have but in the same time I know she’s also the most sincere one.

Nina:     Name some artists and their cover designs that you like and why. How would you describe your own artwork (e.g., magazine and book covers)? Who are your influences?

Costi:     Where should I begin? I always loved the paintings of Rene Magritte and Giorgio de Chirico. I also have to mention Dali and H.R. Giger. They’re just incredibly good and inspirational.

I can’t miss Neville Brody, one of the most famous and brilliant designers of all time. Not too many book covers, but you have to look for his music album covers and typography compositions, and magazine covers. He’s done a lot of covers for the legendary The Face Magazine. You have to see the book The Graphic Language of Neville Brody. Absolutely beautiful.

Special mention goes to Edward Gorey. His art is amazing.

From the usual suspects of SF&F artists, I like Michael Whelan, especially his horror covers. See for instance Lovecraft’s Nightmare, both parts, or some of his personal studies. I like Frank Frazetta and Rodney Matthews. And there are others, many others, the list would be just too long for the purpose of this interview.

Nina:     Costi, your artwork on Outer Diverse is eligible in the Art Category for an Aurora Prix and the Hugo, the Canadian and American prizes for work in the science fiction and fantasy fields, respectively.  How does that make you feel?

Costi:     I try not to get my hopes too high. It’s a long way from eligibility to winning. But just to be in the game really feels good. From another perspective, it’s part of my dream coming true. It’s part of my journey and the reason I’m here. It’s so good to be noticed and to exist outside your family’s and friends’ awareness.

Nina:     Speaking of…when I was in Bucharest recently to launch my fiction writing textbook at the Gaudeamus Book Fair, I heard a lot about this guy Costi Gurgu, a rather well known and accomplished writer in Romania. You’ve sold five books and over forty short stories in Romania and won over twenty awards. Tell me about this guy, Costi the writer. What have you written and where can we find it?

Costi:     In truth, half of my reason for coming to Canada is related to my writing.

I made my debut in Romania, in 1993 and since then I published constantly in magazines and anthologies. I edited three anthologies. I won each and every award there was in Romania, several times. Among those, I won the prestigious Vladimir Colin Award twice (for my first story collection and for my first novel), and the Writers Union Award (a literary award) for the debut for my first book, a story collection entitled The Glass Plague.

My stories have been published in Romania, Hungary, Poland, Denmark, England, Canada and USA.

My latest sales have been to the Danish anthology Creatures of Glass and Light, the Daw Books anthology Ages of Wonder, Wildside Press anthology The Science Fiction Megapack, Millennium Books steampunk anthology The Second Revolution, and the anthology Voices—New Writers from Toronto, published by Co-op Writers and Toronto Public Library.

Nina:     What are you working on now—besides more covers for my Splintered Universe Trilogy, that is?

Costi:     A few months ago I just launched my latest book in Romania, another story collection, entitled Chronicles from the End of the Earth. I’m working on the English version of some of the stories in that collection.

Right now I’m writing a horror story for an anthology from Romania. I’m also in the middle of my new novel, for which I don’t even have a working title. All I know for now is that it has magic and it has science and some bits of dark happenings, so it will probably be a cross-genre. It is also supposed to be the first book of my first trilogy.

I’m thinking of a comedy movie script for next year. I’ve never tried a movie script, but I’d really like to write one.

Nina:     Sounds like fun, Costi! With your sense of humor, it should be a great success. Thanks so much for joining us here on Benny. I wish you the best of luck in the Auroras and the Hugos and in all your writing and illustration projects. It’s been an honor to work with you.

Costi:     Again, my pleasure, Nina.  And thanks for the Plockta nectar. It was … eh … interesting.

…See? He’s so polite!

If you love art and agree with me that Costi’s stunning artwork on Outer Diverse merits recognition, please share this post with your friends on Facebook, Twitter,  Linked-In and elsewhere.

Better yet, NOMINATE Costi for the PRIX AURORA in the “Best Artist” category (if you’re a Canadian). You have until March 31^st to nominate.

Just as good, RECOMMEND his exemplary cover art for a HUGO AWARD in the category of “Best Professional Artist”. Third Party Sites where you can recommend Costi’s cover art include:  Live Journal Community; NESFA, and SF Awards Watch.

If you’re already a member of the World Science Fiction Convention, you can NOMINATE Costi for a HUGO. You have until March 11 to nominate.

Outer Diverse is for sale at Amazon.ca, Amazon.com, Amazon.co.uk and Barnes & Noble as well as other quality bookstores near you. It is also eligible for an Aurora. The Splintered Universe Trilogy follows the turbulent career of galactic guardian Rhea Hawke, whose unswerving passion for justice — though faulty vision of the world – collide as she searches for answers to a spiritual massacre. Visit the Alien Next Door for more details about the story.

Tikulin, who was born and lives in Zagreb, Croatia, recently confided in me that he had never been to North America. I find this ironic, considering that his art is showcased internationally, having appeared in every country imaginable. Tomislav Tikulin’s art work has graced the covers of many SF and Fantasy books including Chris Robertson’s Voyage of Night Shining White, Arthur C. Clarke’s Rendezvous With Rama, and recently Ray Bradbury’s Dandelion Wine (50th anniversary edition).

Tikulin creates convincing images grounded in reality then throws them into fantastical alien landscapes. Many of his pieces evoke a sense of yearning within a grand tapestry of his imagination. Through the use of lighting, tone, filigree and color, Tikulin infuses his imagery with mood and “motion”. His art flows with a tender ache for “more”… a call to adventure…a hero’s mythic journey…a sweeping vision of the future…a whole world to discover…

When Tikulin agreed to illustrate my book, Darwin’s Paradox, I was ecstatic and honored. After some conversation back and forth, he produced the striking image you all know. It has, I can assure you, been one of the main reasons people have picked up my book off the bookshelves.

Eager to meet the man responsible for the success of my book, I notified Tikulin that I would be in Zagreb, refueling, and invited him aboard my sentient ship, Vinny, for a drink. To my delight, he readily and intrepidly agreed.

Like all his predecessors, Tikulin rode the crystal beam with the ease and the sublime frisson of a Ray Bradbury character. He didn’t get sick either, I observed, as my stomach growled its typical objection. Like a giddy twelve-year old kid on his first rocket ship ride—wait, this probably was his first rocket ship ride—Tikulin asked a million questions and I had to bat his hand away from the colorful crystal controls several times. Humans! So curious!…

~~~~

Once we get on board Vinny, and thinking to put Tikulin at ease so I can better interroga—er interview him, I instruct Harry, my bot, to fetch us each a pint of Canadian beer, this time a Kokanee lager. As we settle into two comfortable chairs in the aft lounge with our beers, I make my move.

SF Girl: I lean forward and make direct eye contact with this good-looking Croatian from Zagreb and decide to start with something mild and innocuous. “So, when did you know that you wanted to be an illustrator and how did you get your start?”

Tikulin: He meets my gaze with intense laughing eyes of candor. There is something very genuine about him that sets me at ease and I realize that it’s me who is nervous; not him. Tikulin drains half of the beer in one long draught, leaving some foam on his upper lip, then begins in a strong Croatian accent, “Well, it happened a couple of years ago. I was involved in the production of a point and click adventure game. My job was to make backgrounds, matte paintings, etc.” In fact, he was Chief 2-D artist on the project. “I realized that I had learned a lot of things during that production and that I must do something with that knowledge.” Tikulin tilts his head to one side and ponders the past. “I also worked as a comic colorist for many years and had a promising career but I made a decision to do something else and that was a turning point for me…[After meeting] some publishers, that was the start of a new career,” he ends with a boyish laugh.

SF Girl: I decide that he’s getting a little too comfortable as he draws another long appreciative gulp of Canadian beer (maybe he doesn’t get out much, I conclude). Still… Thinking to stir him from his beer-induced contentedness, I pry, “What does your family think of your art?”

Tikulin: He throws his head back and guffaws. “Like any other normal family, they would be more than happy if I did something else… occupations like a lawyer, doctor, or just working in some nice and clean factory…”

SF Girl: Before I realize it, I’ve grown maudlin, reminiscing about my own parents’ wish that I’d chosen a normal career like planet-building engineer in the Zeta system (very lucrative work, I might add!) or an accountant with the Galactic Bank instead of the space-adventure scoundrel I’ve become… When I find him staring at me with those dark George Clooney eyes, I quickly regain my composure and ask, “What kind of things did you draw as a kid?”

Tikulin: He eases back into the soft chair, a loose smile sliding across his face that makes the thirty-two year old artist look like a boy. “As a kid I was drawing more or less the usual stuff…cowboys, Indians, spacemen, etc. I love movies, especially scifi movies…I spent many hours watching TV, maybe too much!” He flashes a grin then adds, “That was the trigger for me.”

SF Girl: “What is it about science fiction and fantasy that draws your interest, particularly to illustrate in these genres?”

Tikulin: “I love movies. I’m a movie geek. I watched a thousand times Alien, Blade Runner, original Star Wars Saga, Star Trek and other nice movies and series. I was hooked as a kid with fantastic landscapes, green slime aliens, space heroes and all sorts of villains.” So, he’d met some of my relatives, I conclude…Tikulin continues, “I like the old masters. I’m not a big fan of modern cyberpunk stories. My heart is full of sorrow because Hollywood doesn’t make Sci-Fi films like they used to.”

SF Girl: Totally disarmed by this gentle (and very good looking!) Croatian, I ask, “What’s next for Tomislav Tikulin?”

Tikulin: He flashes another of those wonderful boyish smiles. “To have fun, to make lots of covers, to make covers for Frank Herbert’s Dune, and one day to create production illustrations for a big Sci-Fi movie.”

I don’t doubt that he will. To see more of Tomislav Tikulin’s artwork or to contact him, here’s his website: http://www.tomtikulin-art.com/.