Nina Munteanu

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Con-Version 23: Calgary’s SF & F convention–2007

August 24, 2007

Today’s Friday Feature is Con-Version 23. It was a blast! Held at the Radisson Hotel in Calgary August 10-12, 2007, the convention committee (volunteers from the CSFFS), chaired by the ever-competent and continually cheerful Kirstin Morrell, did an admirable job to make this convention a resounding success. Literary guest of honor was Jack McDevitt (Seeker, Omega, Odyssey, Ancient Shores) and the science guest of honor Calgary’s own Rebecca Bradley, also a fantasy author (Lady Gil series), but there primarily for her expertise as an ethnoarcheologist, specializing in Egypt, and the Sudan. Features publisher was Brian Hades of Edge Science Fiction and Fantasy Publishing.

Kirstin kept me out of mischief by putting me on so many panels, I was literally running from one to the other…That’s okay; I needed the exercize. And I still managed to find the Slave Auction (one winner pictured here with her prizes), Masquerade, Filking, swordfighting demo, and “Phantom of the Space Opera” show, which strangely resembled a twisted drug-induced version of several Star Trek shows in one…

Here are a few highlights of the con:

1. prior to the convention, a few of us explored Calgary and found ourselves at the Sushi Boat where I marvelled at all the little boats carrying sushi…(I don’t get out much)… From left to right, Virginia O’Dine of Bundoran Press, Karl Johanson of Neo-Opsis Science Fiction Magazine, Nathalie Mallet, author of The Princes of the Cage and Dominic Maguire of Bundoran Press.

2. I met my Dragon Moon Press publisher, Gwen Gades, and EDGE Publisher Brian Hades again. After some money was exchanged, Brian promised not to sing. From left to right is Gwen Gades, Nina Munteanu, Nathalie Mallet, and Brian Hades in the back.

3. After doing a reading of “Darwin’s Paradox” I rewarded those who had stayed to the bitter end by giving away an original work of art by illustrator, Teresa Young.

4. I had a great time serving on panels like this one on small press with Brian Hades and Janice of EDGE.

The best part of the con was meeting old friends again and making new ones. The Calgary community in general and the SF & F community, specifically, is a lively, warm and very welcoming one. I had the honor and pleasure of meeting for the first time great authors like Jack McDevitt, Nathalie Mallet, and Jennifer Rahn, in addition to new rising stars like Adria Laycraft (look out for her!) and first prize winner of the Robyn Herrington Memorial Short Story Contest, Calvin Jim. I also met my excellent editor, Tim Reynolds of Dragon Moon Press, for the first time. It was wonderful to visit with fellow SF Canada members like Marie Jakober, Allison Sinclair, Lynda Williams, Robert Runte, Karl Johanson and Virginia O’Dine as well as Canadian author Danita Maslan.

In the end, the sign of a good convention is sheer exhaustion…I guess Lynda beat me to it… Thanks, by the way to Jennifer Rahn and Nathalie Mallet for some of these pics…


Literary Mind Meld

August 24, 2007

In a literary “Mind Meld” of universal proportions publishers Brian Hades and Gwen Gades announced on August 11, 2007, that three publishing imprints, EDGE Science Fiction and Fantasy Publishing, Tesseract Books and Dragon Moon Press, have merged to form Canada’s largest genre publisher of Science Fiction and Fantasy. This triumvirate publishing house now has more than 90 titles in print.

In a recent presentation at Calgary’s annual convention of Science Fiction and Fantasy fans, Brian Hades, publisher of EDGE Science Fiction and Fantasy Publishing, and Gwen Gades, publisher of Dragon Moon Press, expressed their delight with the merger: “We are both committed to producing quality books which feature today’s best Science Fiction and Fantasy authors. We know readers will find a wonderful variety of both short fiction and novel length books to choose from … including works by some of the world’s finest writers.”

About Dragon Moon Press: Since the first printing of “Daughter of Dragons” in 1997, Dragon Moon Press has established itself as a leading Canadian publishing house whose dedication to first time authors and writers of literary excellence earned the company a place in the hearts of readers around the globe. The company has produced a number of books over the years, including the very popular”Complete Guide” series, which includes three guide books on writing Fantasy and a soon-to-be-released guide book about writing Science Fiction. Oh, and, of course, one of my favorites (:D) “Darwin’s Paradox”.

About EDGE Science Fiction Publishing and Tesseracts Books: Since its award winning publication of Marie Jakober’s “The Black Chalice” in 2002, life has been on high speed for this Calgary publishing company. It quickly gained recognition from readers and writers alike for its critical selection of engaging speculative fiction. EDGE’s authors come from Canada, the USA, New Zealand and Australia. EDGE authors have garnered world wide recognition by winning a number of awards - including the Canadian Aurora Award, the Australian Aurealis Award and the ForeWord Magazine Award (USA).

About Tesseract Books: In 2003, EDGE Science Fiction and Fantasy acquired Tesseract Books - the publisher of the highly respected and extremely popular “Tesseracts”anthology of Canadian short speculative fiction.

About the Tesseract Anthology Series: Since its inception 22 years ago, the Tesseracts anthology has featured 344 short works and more than 200 Canadian authors, editors and translators –including such well known writers as Margaret Atwood, Robert J. Sawyer, Spider Robinson, and William Gibson, to name a few.

Virtually Yours by Nina Munteanu

August 14, 2007

I’m heading off to Calgary to that wonderful SF & F convention. I’ll be gone for a week and may not get to my blog (you know, between giving panels and workshops, I’ll be doing important things like sitting in the bar with Captain Jean-Luc Picard–he owes me some chocolates– or Boba Fett…). So, in the meantime, I’ve left you a short story that is in keeping with the theme of AI, that I have started (and will resume when I return). It’s a love story that blurs the realms of virtual and real. This variant of “Beauty and the Beast” strays into the area of disturbing intrusiveness…one plausible scenario of a brain implant. “Virtually Yours” was first published in Hadrosaur Tales and later reprinted in Neo-Opsis Science Fiction Magazine and then translated into Polish and published in the Polish SF magazine, Nowa Fantastika.

Virtually Yours
Vincent yanked the V-set off his head and found himself back in his apartment, lying alone and spent on his king-size bed. The cozy cabin with the fireplace had vanished. Katherine was gone.
He stared at the V-set. His vehicle to paradise. To Katherine.
Her scent of lilac lingered in his mind as he summoned her beautiful face, smiling just for him. No, he reminded himself. Not for me. For Jake, my carrier. It was Jake she smiled at. Jake she had just made love to. Jake, who smelled her desire, felt the tender stroke of her slender legs. Vincent was just along for the ride.
His eyes swept down his deformed and gnarled body. Angry boils and scars encrusted his livid hairless skin. He remembered colliding two days ago with her in a Samson Corporation hallway and her hand had unintentionally brushed his thigh. She’d jerked back, blushing with the shame of not knowing how to avoid staring at him in revulsion. Then she’d rushed off before he had a chance to speak. Probably to wash her hand. I’m just another anonymous Corporation Overseer, he thought. A nameless ugly gnome. She doesn’t know that I’m Vincent, her Overseer, with whom she shares beautiful thoughts of life and poetry over the V-screen.
Two weeks ago she’d boldly begun to offer a few friendly comments at the end of her progress memo. He’d responded with his own and found himself looking forward to her messages more than anything else during the workday. When he opened them, he clicked straight to her post-script, leaving her formal report for later. He recalled the message she’d sent him last week that had started everything:
“Do you like poetry, Overseer? It is one of my passions. I’ve read a lot of Milton lately. Granted his writing is over 400 years old; yet he evokes in my soul a yearning for Eden. Do you think Eden can exist on Earth? Perhaps it is our destiny to long for it.”
Up to then she’d used her worker code-name as salutation: “Cheers, V-screen USER 134872”. This time she’d signed, “Virtually yours, Katherine.”
It was as he reread her signature over and over, that he’d come up with his ingenious scheme to track her down among the hundred roaming workers in the Samson Corporation research lab by assigning a carrier to work with her. It had started out innocently enough. He’d only wanted to know what she looked like. It was Sen Tech’s fault.
His SenTech holo program and the V-set’s link to a sensor embedded in Jake’s forehead gave Vincent the next best thing to having Katherine. Thanks to Jake, who didn’t even know he was providing Vincent this service, SenTech permitted Vincent to see, hear, feel and taste Katherine using Jake’s senses. Jake had no idea of Vincent’s access to the implant or that Overseers typically used them to spy on their carriers. Jake only knew that the implant provided him with enhanced cognitive abilities. Being connected directly to the central computer database was a great advantage to him in his work as Vincent’s data manager.
Hoping to make the meeting pleasant for her, as well as for himself, he’d selected Jake as his carrier based on what he’d ascertained of Katherine’s physical tastes in men. But once he saw her blush with desire at Jake’s perfect physique, smelled her hunger and felt Jake’s heart throb, he knew that he’d wanted more all along. This would be a good ride, he’d thought, and immediately prepared his AIs for full surveillance. Jake moved fast. Following their initial inflamed encounter at Samson Corp, Jake enticed her to his secluded cabin, where he seduced her. Vincent was unprepared for the sweetness of it and how it inflamed his own forgotten desires. Through Jake, Vincent felt like a consumate lover, drawing her out patiently, using gentle, tender strokes at first then matching her escalating rhythm. She was shy though not coy and wonderfully responsive. When the lovemaking had ended, Vincent felt strange, as though he’d betrayed himself. Moved by the experience, he’d wrenched off his V-set and wrote her an E-note as her anonymous Overseer. He’d heavily quoted Milton.
“She’d never look at me the way she looks at Jake,” Vincent said, glancing down at his mishapen body. Mildred, his model 20 AI droid, glided to the bed and touched his shoulder. It said in a tinny voice, “She does not know you are her Overseer, Vincent? Perhaps you should tell her, she might like you—”
“No, Mildred,” he snapped. He imagined compassion in Mildred’s round green eyes and let his voice soften, “She might like communicating with me as her anonymous Overseer, but I’m afraid this is the only way she’ll ever look at me that way.” He placed the V-set on the nightstand. “She could never love me.” Vincent let out a long breath and stroked the V-set. “But I’m content with what I have.” A wry smile crossed his lips as he wrestled with a pleasure edged in guilt. His creative use of SenTech’s surveillance capabilities definitely stretched its intended use. “Does that make me some sort of pimp?” He eyed the folds in the sheets then stroked the sheet. Resting his gaze on the leopard-skin of his hand, he murmered, “So be it. At least I’m a harmless one.”
“The library inquires as to whether you wish to save this SenTech scenario as Katherine 1 for later use?” Mildred rasped.
“Yes, yes,” he said impatiently. He brought the sheet to his face, wanting to savor her scent, knowing he would smell nothing, and clenched the fabric into a ball. With a cursory glance down at his gnarled body, he jerked to his feet. “Save it.”
~~~~
“He’s so damn ugly. Like some monster from a bad movie,” Fanny whispered to Katherine as they looked for free workstations two weeks later. Fanny stared through the transparent panel to a hunched figure in the office perched above them. He was one of twenty Overseers in the Research Department of Samson Corporation, but Katherine knew which one Fanny meant. There was only one ugly Overseer.
She stole a glance up to where he paced like a feral cat, eyes flashing at them. She felt her face heat. Embarrassed for him, she quickly looked away. Of course he hadn’t heard Fanny. But surely he knew what they all said about him. Could read it in their churlish glances and smirks. The glabrous skin of his face and head looked like melted wax. Its smooth surface was blemished with islands of angry bubbles and crevasses that resembled burning lava. She couldn’t help thinking of the rumor that he’d actually caused the fire, which had nearly taken his life and killed several people. They’d been experimenting with a new product at the lab. The explosion took his three colleagues, including his fiancée.
“You wonder why he doesn’t get some major surgery done,” Fanny continued as they claimed two unoccupied workstations. “In this day and age, when nano-reconstruction’s so attainable, it’s as if he wants to look that way, to scare us all.”
Punishing himself, Katherine thought, and felt her eyes sting. If Fanny could only look beyond his ugly shell into those eyes of gentle sadness and vulnerability. She remembered when they’d bumped into one another three weeks ago in the hallway and her hand had accidentally touched his thigh. He smelled of smoke and metal. Their eyes met and she blushed like a teenager. He had the eyes of a poet. She’d turned away without a word and fled. He’d probably thought her rude.
“Fanny, he’s probably a G-type,” Katherine said, glaring into space. She yanked at her chair and let herself drop into it. “G-types can’t handle the side effects of nano-construction.” Her fingers slid furiously along the alpha console, activating her virtual support and accessing the network with her code. Instantly, her station housed itself with a set of files, a virtual bookshelf filled with books, and a vase with flowers.
“Okay,” Fanny said, settling into the chair next to her. She activated her virtual support: stacks of files with documents and papers and a poster of a naked man. “You don’t have to get snippy about it. You’d think you liked him or something.” She gazed into the distance. “I’m glad we don’t know who our Overseers are — or they us. I’d die if he turned out to be mine. Imagine if he was your Overseer, Katherine! How awful! What irony: beauty and the beast. It’s like he knows it too, knows how absurd that would be — never looks at you.”
Katherine felt her face crimson. Or was it that he detested physical beauty? Found her reprehensible.
“Fanny leaned into her and cocked her head. “He might as well be an AI20, alone up there in his ivory tower, anonymously giving orders to some of us peons. Ugly as sin and cold as metal.”
Katherine recoiled. “Fanny!” She focused on her computer screen, surprised at the yearning that stirred inside her. He wasn’t a machine. More like a wounded animal. No one knew the name much less the identity of his or her Overseer. But when she’d defied protocol two weeks ago and signed with her name, Katherine, he’d followed suit with his: Vincent. She knew Vincent was the beast. Felt it in her heart. Vincent’s “voice” and the beast’s eyes spoke the same truth. But where the ignoble beast howled baleful regrets to the moon, this beast quoted poetry to her.
No, not to her, she corrected herself. She was just another rude employee who bumped into him once. He didn’t know she was V-screen USER 134872 — now Katherine — who sent him progress memos, and lately shared her personal thoughts with him. She clicked on her saved messages and found the one she was looking for, Vincent’s response three weeks ago to her silly remark about poetry and Milton.
She’d reread it several times and every time her heart flipped when he used her name:
“I admire your passion for poetry, Katherine. Does it not strip prose to the very essence of what drives our soul? If you believe in destiny, then each of us is already a story waiting to be written; mine would be a tragedy. Alas, my burning desire for knowledge destroyed the thing I most loved. I do not expect to find Eden in my lifetime here on this Earth, or elsewhere, for that matter.
“You have made me curious to read Milton. His poetry remains relevant to this day. Perhaps you are right about our longing for Eden: ‘These lull’d by Nightingale embracing slept, and on their naked limbs the flow’ry roof show’r’d roses, which the morn repair’d’.”
Following her lead, he’d signed “Virtually yours, Vincent”.
Three weeks later they were still sharing personal philosophies and always found an opportunity to quote Milton.
“Now, that’s more like it!” Fanny’s strident voice cut into her silent rapture. Katherine jumped in her seat, swept the screen clear and looked up, face burning in anticipation of finding Fanny looking over her shoulder. But Fanny was gazing at a man striding toward them. Katherine sighed and felt a surge of pleasure. Jake. She’d met him just over two weeks ago, when Vincent had assigned them a joint task.
“Now there’s a specimen.” Fanny said. “What a perfect body and face. Bet he’s a great lay.”
Katherine blushed. She appraised Jake’s showman’s eyes, firm jaw that easily supported the loose smile he always wore, and a seamless brow partially hidden beneath thick curls of chestnut hair. Yes, he was a knock out. And exciting.
“You’re a lucky girl.” Fanny sighed.
“Yeah,” Katherine said, sensing her own hesitation. “Lucky.” Although they’d been physically intimate many times already, she still didn’t know Jake. His charm and humor masked a reserve of quiet depth — or nothing? Could he sustain a loving relationship with her or was Jake just lustfully infatuated with her?
“He’s a carrier, isn’t he?”
Katherine nodded. “Carries a piece of the V-net inside him.”
“That’s why he’s so swift and enlightened.”
Katherine nodded. She didn’t consider Jake exactly enlightened. Swift, perhaps. He’d managed to get her in a prone position the first day they met and every day after that.
“You’re so lucky, Katherine. You’ve got it all.”
Katherine swallowed. She’d been considering breaking off. Jake seemed more interested in using his mouth for kissing than for talking. After two weeks of wonderful sex, she began to long for the serenity that came with sharing an ordinary life with another person. She and Jake didn’t seem to have much in common. They’d never conversed like she and Vincent had on the V-screen. Jake was a bored realist. And he took no interest in poetry. She resolved to break off, before he dumped her for another lustful jaunt.
“Hi, girls.” Jake tussled Fanny’s mop then glided to Katherine like a panther. Gathering her long hair back with both hands, he bent to kiss her on the neck. Her decision blurred at his seductive touch. Jake seized her hands and coaxed her up from her seat. “Come.” He grinned like a boy hiding a lizard in his pocket. “I have something to tell you.” He led her away from the workstations toward the lounge.
“What is it, Jake?” Her eyes darted around her and she looked annoyed at him. “People are watching.”
“I can’t tell you here. Tonight. Meet me at Samson Square, Level 2 at 23:00. That’s when my evening shift ends. Promise?”
“Okay.” She looked down, wondering how she was going to break the news to him.
~~~~
“I love you,” he said, pulling her toward him. “Marry me.”
Her throat swelled. Was that his news? She had come to tell him she didn’t love him, she was in love with another man. A poet.
“I need to tell you something, Jake.”
“Later, later,” he whispered in her hair, pulling her into an alcove of an abandoned shop. “First my conversation.” He caressed her ear with his lips and played them over her neck and face. It sent a shiver through her. She closed her eyes and thought of Vincent: ‘with thee conversing I forget all time’. She let him maneuver her to a dark corner. He kissed her eyelids, her cheeks, her hair. Perhaps she’d been too harsh. He wanted to marry her, after all, to share an ordinary life together.
She helped him shrug out of his clothes and smelled his longing. Let him undress her, pull her down on top of him, taste the hollow of her shoulder, her breasts, her nipples. She imagined Vincent’s trembling hands, his tender glance. His fingers exploring, diving into her dark longing for him. She shuddered, surrendering to her passion. ‘Flesh of flesh, bone of my bone thy art’. Later, she thought. Then thought no longer.
~~~~
Something nudged Vincent awake. “Katherine is with her lover,” said Mildred, peering down at him.
Vincent roused himself, wiped the sleep from his eyes and croaked, “Library, connect with SenTech sensor, subject carrier Jake. On screen.” Katherine’s face appeared on the huge screen on the far wall. She looked straight at him with longing. Her lips parted as she drew closer. Vincent flung off the covers and sat up, naked, ignoring his misshapen leopard-body. He snatched the V-set from the nightstand and pulled it over his head, letting the translucent screen cover his face. “Library, activate SenTech virtual program. Save this scenario as Katherine 17. Remember to voice-over ‘Jake’ with ‘Vincent’.”
The room disappeared, replaced by a dark corridor. He lay on the cold surface of the grimy floor. Her warm body slid over him and he smelled the sweet spice of her desire. Perhaps he could find Eden on Earth after all! He felt himself firm and whispered, “‘Part of my soul I seek thee, Katherine, and claim my other half’.”
She drew back and peered at him with wide eyes. Then she tilted her head, gave him a searching look, and leaned forward. He felt her breath on him. “Vincent?”
His heart soared. “‘How can I live without thee, how forgo thy sweet converse and love so dearly join’d, to live again in these wild woods forlorn’?”
She stared at him in astonishment, then broke into a wonderful smile and kissed him. She whispered into his hair, “‘With that thy gentle hand seiz’d mine, Vincent, I yielded, and from that time see how beauty is excell’d by manly grace and wisdom, which alone is truly fair’.”
Frantic for her, he clasped her and thrust into her moist haven. She gasped. “Oh, Vincent! Vincent!”
His spirit soared like a falcon to her tender loving. When it was over she leaned her cheek against his and murmured, “I love you, Vincent.” He closed his eyes. If this were only true, he thought. It felt so real. When he opened his eyes she was staring at him with intense wonder. “You’re crying. . .”
Vincent wrenched off the V-set and blinked the tears from his eyes. The room returned. He was back on his bed. The screen was dark and she was gone. Vincent glanced down at himself, covered in his own semen. He let his eyes flutter shut and clung to her sweet words of love, ignoring what he knew — that her uttering his name was the computer’s doing — and imagined the sweet perfume of her love mingled in his own.
Then he bowed his head and stared at his shriveled hands. They looked like withered twigs, infested with parasites. His body a hideous monstrosity. It was obvious that she loved Jake. How could he ever think she loved him.
He swallowed down his emotion and stumbled to his feet. Clearing his throat, he said, “Please clean up the bed, Mildred. I’ll be in the shower.”
“Do you wish to save this scenario?” he heard its tinny voice behind him.
“Yes, yes,” he growled. This was the only way he could have her. “Tell the library to flag this one with four stars.”
Vincent caught his own reflection in the hall mirror and stopped. The stretched skin of his face glistened like plastic that had been meddled with, its integrity destroyed. He pulled at the single tuft of hair on his mottled head and, feeling the pain, stared into his own narrowed eyes in challenge.
The crying, the poetry, were surely his feelings and thoughts, not Jake’s? Yet Jake had expressed them to Katherine. Up to now Vincent had been convinced that SenTech provided strictly a one-way conduit from carrier to Overseer. SenTech was designed to help Vincent sense everything that occurred to his carrier, but only as an active spectator. What just happened with Katherine implied that Jake had acted on a subliminal message from Vincent. That he, Vincent, had initiated action. He blinked at the realization and saw his eyes widen with excitement, then guilt and dread.
What have I started?
~~~~
Katherine lay upon Jake, her cheek pressed against his furry chest. She gently stroked his hair. “You were so sweet to quote Milton,” she said. “I had no idea you’d taken an interest.”
Jake brushed his eyes with his hand and looked baffled. “I’m not sure why — how. It just came out of my mouth. I’ve never read Milton. You’re the one who reads that stuff.”
Her lips curled in sudden amusement. She liked seeing him vulnerable. “Perhaps a poetic muse has invaded your mind,” she teased and ran her fingers through his curls. He’d shown that beneath his reserve there lay a depth she’d never suspected.
He thought for a moment. “Perhaps I should start reading it.”
She buried her nose in his hair, inhaling his musky smell. “And, the crying—”
He drew back, embarrassed, and shot her a dark look. “Why did you call me Vincent? Who’s Vincent?”
“Did I?” Katherine swallowed. When they’d made love, she’d lost herself in his eyes, imagined for a brief moment that he really was Vincent. Spirit and flesh mingled into one whole. She bowed her head. “He’s only a character in a virtual game I was playing,” she said casually. Vincent could never be really hers. Uncomfortable with her outer beauty, he’d irrevocably isolated his physical self from her. Didn’t want her. She’d been sharing “love-notes” with a phantom. But Jake was physically here with her. She could touch him. Could feel his warm breath upon her face.
And he loved her. She knew that now: no one had ever wept for her before. He’d even quoted poetry to her. She decided against breaking off. Maybe there was a little of Vincent even in Jake.

What Type of Writer Should You Be?

August 14, 2007

Are you a poet who sees the beauty of the world around you? Or a potential romance writer? Perhaps you have the makings of a screen writer stirring inside you just waiting to get out. Thanks to Melanie at “A Quiet Symphony” I found this quiz site that lets you figure out what kind of writer you are (should be)…in case you didn’t already know, that is…:) The choices are limited and it’s kind of cheesy but I thought I’d have a little fun with it. It consists of about 10 questions and in the end I got what I already knew:

You should be a science fiction writer. Your ideas are very strange...I already knew that!…and people often wonder what planet you’re from (yeah, like I’m going to tell you!). And, while you may have some problems being “normal” (why be normal?), you’ll have no problems writing sci-fi. Now you’re talking! Whether it’s epic films, important novels, or vivid comics…Your own little universe (yup!) could leave an important mark on the world! WOW! I’m so enlightened now.
Now you try it! I dare you!

I think one of the main reasons I fit into the Sf category was how I answered Question 4: what inspires you? I selected “what if” scenarios.

What if…I’m fascinated with “what if”. Our lives are full of “what ifs”. They’re the stuff of our imagination. Our dreams. And, sometimes, our nightmares…We base a lot of our regrets and guilts on those nasty “what ifs”. Here’s a sad one I’ve been carrying around for a while…

A few months ago, I started half-waking up in the morning here and there, thinking I heard Sammy, our cat, outside meowing. Rather plaintively. Then I would hear him by his favorite place, happily crunching on his dry catfood…and I would fall back asleep and forget what I’d heard. It repeated several times…that kind of sad meow, then finally went away. We have a lot of cats in our neighbourhood, so I didn’t think much of it. So long as Sammy was okay…

One morning we all got up to find Sammy gone and realized that he’d stayed out all night (we always bring him in nightly because of the coyotes that live in the field behind our house). The boys finally found him inside the small tool shed; he must have strayed inside while my husband was working outside the day before and got trapped inside (he knows he’s not allowed inside, but he’s a cat). Turns out he had a reason to be there; when the boys let Sammy out they heard a little plaintive call of a cat. It came from behind the wall of the shed! We realized to our horror that a cat was trapped behind the inner wall. Herb quickly figured out that it must have crawled into a small opening at the roof and fallen down a good nine feet between the cramped outer and inner walls. Herb set quickly to work, hacking open the wall to free the poor thing. When we finally got him out, he was a mess, blind and pussy and (pardon) literally rotting. My son and I rushed him to the vet (with blind thoughts of adopting him) who pronounced him too far gone: he’d hurt himself in the fall and had literally starved to death over the course of a few weeks and during the entrapment he’d been infected by vermin (it only takes a few days, apparently for that to start) which had eaten him alive. The vet then euthenized the cat. Herb closed up the gap in the shed roof so no other event like that one could occur again. I can’t look at the shed anymore and not think of his suffering. I have no words to describe how that makes me feel. I’m haunted by it. What ifs…I keep thinking, what if I had checked when I’d first heard those calls? What if?…

photo of cat borrowed from wvs.topleftpixel.com/06/03/06

A Wizard of Earthsea

August 7, 2007

When my boys were gone on holiday and I had to stay home to work, my good friends down the street took pity on me in my solitude and invited me to supper and a movie at their house. I gladly accepted, always ready for company and to mooch… :) … The movie turned out to be a wonderful fantasy they rented from the video store that had been made in 2004 by the U.S. based Sci-Fi Channel: A Wizard of Earthsea.

When they announced the title of the movie, I recognized Ursula le Guin’s masterpiece of some time ago. What struck me with surprise was that my friends not only didn’t know the writer, but they had introduced this 2004 movie as a Harry Potter clone! “It’s got dragons and wizards and even a wizard school, like Hogwarts in it!” they claimed. And so it did. But what they didn’t realize was that A Wizard from Earthsea came long before J.K. Rowling even began to think of Harry Potter. Ursula Le Guin wrote this remarkable book in 1968 and it was part of a book series, with the first followed by The Tombs of Atuan, The Farthest Shore, Tehanu, Tales from Earthsea, and The Other Wind.

It is, in fact remarkable that Ursula Le Guin conceived of a fantasy world that had many aspects similar to those envisioned by J.K. Rowling, only thirty years before. What I find more remarkable is how this classic seemed to have been overlooked when all the hype about the wizard world of J.K. Rowling’s making swept the world like a summer storm.

Those of you who may have seen the movie on TV or rented it yourselves, can attest that indeed there are many elements similar with Harry Potter in A Wizard of Earthsea, though there are enough differences to make it a delicious alternative (especially now that the HP series is finished.).

There is, for instance, the School of Wizardry on Roke Island, the magical heart of Earthsea and protected by potent spells and a magical wind and fog that ward off evil. Teaching in the school was carried out by Masters (each with a specialty) such as: Master Windkey, who teaches weather control; Master Hand, who teaches illusions; Master Herbal, who teaches healing; and so on, including transformation, calling, True Speech, seeking and returning.
There’s the world of the dead, “The Dry Land” a dark, cold place that was, in fact, a failed attempt by mages to achieve immortality for their peoples. This land and its lost souls plays an important role in both the book and the movie.
There are also dragons and dragonlords. Dragons of Earthsea consider men to be uninteresting, short-lived mayflies and view all but a select few in that manner. A dragon will do one of two things with men–eat them or talk to them; the former is far more common. When dragons choose to speak, they are worth listening to, given their long lifespan and great wisdom.

Le Guin painstakingly created a world rich with lore, tradition, cultures and magic. And one with intrigue, tension and a compelling story of growth, friendship, betrayal and victory. I highly recommend these books for fantasy lovers, particularly those who have not yet encountered some of our classic writers like Ursula Le Guin. She has written many others (also science fiction), if you find you like these.
The Sci-Fi Channel movie, while I found it pleasantly entertaining, had changed many elements of Le Guin’s story, much to the anger of Earthsea purists. For instance, the main characters in the book resembled Native Americans, being dark in coloring with straight black hair; not Caucasian as in the movie. Names were altered and the religious practices of Atuan were misportrayed. The celibacy of Earthsea wizards was overlooked as Ged and Tenar became sexually involved in the film version. Le Guin, who had not been consulted in any way in the production, said: “I can only admire Mr. [Executive Producer Robert] Halmi’s imagination, but I wish he’d left mine alone.”
I liked both the movie and the books. But watch the movie first (given it’s limitations), then prepare for a rich tapestry of imagination in Ursula Le Guin’s classic book series. Who needs Harry Potter?…


Science Fiction & Fantasy Conventions

August 3, 2007
Today’s Friday Feature is the website for Con-Version 23, Calgary’s premiere science fiction and fantasy convention, run by Calgary’s science fiction and fantasy society. It takes place at the Calgary Radisson Hotel on August 17-19, 2007, and yours truly will be participitating in the con by sitting on writing, publishing and science panels and possibly giving a reading of my new book, “Darwin’s Paradox”.

If you’ve never been to a science fiction & fantasy convention before, well…what can I say…First of all, you might like to check out this link to a rather amusing but candid look at a previous convention (also at Calgary) entitled: “Conversion: where geeks go to get laid.” Conventions have, I suppose, a reputation to keep up…The article starts out this way:

I went to ConVersion XIX looking for something I could understand, like what I saw in Trekkers. Somehow, I thought being able to recite most of Babylon 5 and the good Treks from memory would be sufficient to carry me through three days. It didn’t. By the end of the weekend, I had only begun to understand what true science fiction and fantasy fandom was about.”

Aside from the wonderful costuming, earnest role-playing and music-making in the halls and larger venues, panels often provide erudite and entertaining seminars and workshops for would-be and established writers and readers of the genre. Panels also explore current issues in science and technology. Media tie-ins with guest appearances of cast and crew of shows may also occur. Panels usually comprise of four to seven “experts” who have assembled to discuss topics ranging from “the advantages of e-book publishing” to “issues of global warming”. Workshops on writing, swordplay, or costuming are also common. In short, each convention is a unique and evolving creature, as determined by its participants. Each convention provides opportunity for all who attend, with each attendee making his or her personal mark on the kind of convention it will prove to be. So, I don’t really know what to expect when I attend Con Version 23 in two weeks. But I know I’ll be enjoying myself. And I’ll let you know how it goes.

Is James Bond an Altruist? — Part 2

August 2, 2007

In Chapter Three of his exquisite book, “The Origins of Virtue: Human Instincts and the Evolution of Cooperation”, Matt Ridley recounts the tale of Tosca, the heroine of Puccini’s opera of the same name. Faced with the terrible dilemma of her lover Cavaradossi condemned to death by Scarpia, the police chief, she is offered a deal: if Tosca will sleep with Scarpia, he will save her lover’s life by telling the firing squad to use blanks. Tosca decides to deceive Scarpia by agreeing to his request, but then stabbing him dead after he has given the order to use blanks. She does so, but Scarpia chose to deceive her too: the firing squad does not use blanks and Cavaradossi dies. Tosca commits suicide and they all end up dead.

Tosca and Scarpia were playing the most famous game in all of game theory: the Prisoner’s Dilemma, which applies to any conflict between self-interest and the common good. Both would have benefited if they’d stuck to their bargain: Tosca would have saved her lover’s life and Scarpia would have slept with her. But as individuals, each would have benefited even more if he or she deceived the other into keeping his/her side of the bargain but did not keep his/her own: Tosca would have saved her lover and kept her virtue; Scarpia would have gotten lucky and ridden himself of his enemy.

In the motion picture Casino Royale (off stage, during Jame’s torture scene), Vesper pretty much faced the same “Prisoner’s Dilemma” as Tosca did: to save James Bond’s life (and possibly hers, at least for the moment), she made a deal with SPECTRE. She, too, attempted deception against SPECTRE (though it was a feckless attempt) and dared hope for happiness (if brief) with James. But all too soon, SPECTRE caught up with her and she knew she had to go through with her bargain, hoping they would spare her but knowing in her heart that she was heading to her death. What of that torture scene in which LeChifre offered Bond a deal to save Vesper (actually to kill her quickly and spare her the agony of torture) if Bond gave him the information he needed?…The concept of a “Prisoner’s Dilemma” applies wherever there’s a conflict between self-interest and the common good…where collective and individual interests are in conflict. Which way did James Bond go? How did he decide?

What’s interesting is that in single encounters of the “Prisoner’s Dilemma”, the outcome is usually driven by selfishness and distrust. Players are usually encouraged to defect and deceive out of self-interest; just like Tosca and Vesper tried and failed to do. The outcome is entirely different when the game is played more than once. Game theorists found that frequent repetition of the encounter encouraged cooperation. With “the shadow of the future” held over each player, a new game emerged, “Tit-for-Tat”, which relied on the consequence of reciprocity. In the system described by “Tit-for-Tat” the long-term reward of cooperation outweighs the short-term reward of defection. This is what Matt Ridley calls reciprocal altruism and apparently humans are particularly well suited to it, being gregarious and choosing to live in a society where repeated encounters among ourselves promotes cooperation. Reciprocity permeates our language and our lives: “dept, obligation, favour, bargain, contract, exhange, deal…” Simpler life forms also engage in reciprocal altruism, as Lynn Margulis pointed out in her discussions of endosymbiosis and evolution through cooperation.

In my book, “Darwin’s Paradox”, one of the characters, Gaia, brings up a grissly example of reciprocal altruism to demonstrate a point to Julie Crane, the main character. Gaia’s story centres on vampire bats. These delightful creatures spend the day in hollow trees and at night in search of large animals whose blood they quietly sip from small cuts they’ve surreptitiously made. Bats don’t usually return sated, many times failing to get their fill or in finding prey at all. However, when a bat does get a meal, it usually drinks more than it needs and the surplus is typically donated to another bat by generously regurgitating some blood. Why donate at all? Bats live for a long time and roost together; they also typically groom each other and can tell if someone has a distended belly of unshared blood. A bat that has donated blood in the past will receive blood from the previous donee; a bat that has refused blood will be refused, in turn. Tit-for-Tat. A bat that cheats is soon detected and ostracized and will likely starve to death. Reciprocity rules the roost.

The Concise Oxford Dictionary defines Altruism as: “regard for others as a principal of action; unselfishness”.

So, is James Bond an altruist? You decide. I’ve made up my mind…

Is James Bond an Altruist?

August 1, 2007

Now, before you go have a bird and laugh me off the blogosphere, just hear me out…Well, after I tell you what I thought of the latest Bond motion picture, Casino Royale, that is…

This motion picture, directed by Martin Campbell (Goldeneye) created a dichotomy in my family and in my movie-going community: one side was utterly disappointed, even disgusted, and the other side surprisingly impressed. For once, I sided with the critics—many who extoled this latest of Bond films for its refreshing candor, dark edge and gritty realism. I say, for once, because, more often than not, I have taken the opposite side of the majority of critics (see my other reviews here and elsewhere), finding gems where others have found only rock. This time I have good company; except for my own family and friends, that is. It would seem that, although Casino Royale was highly regarded by the critics of the franchise, its long-standing viewing public was not equally impressed. Yes, this was a different Bond movie, which the Mandelbrot fractal designed title opening and title song hinted at: did you listen to the words of the title song?
Of those in the negative camp there appear to be two major reasons for rejecting this lastest version of Bond. One is the Bond character himself (played with edgy grit by tautly coiled Daniel Craig) and how the other characters were portrayed (especially Bond Girl,Vesper Lynd, superbly played by Eva Green but with no revealing cleavage); the second is the lack of Bond clichés, such as the techno-gadgetry, non-stop action, womanizing and comic-book humour. Despite showcasing some of the most mouth-watering chase scenes (particularly the opening chase with parkour [free running] originator, Sebastién Foucan, and Craig doing most of the stunts himself), this Bond film was a more thoughtful one. It was also probably one of the most physically demanding Bond films to play by its lead character. David Edelstein of New York Magazine, describes the director’s “awe for the poetry of human bodies doing things that, evolutionarily speaking, they haven’t needed to do since the saber-toothed tiger died off.”
There are, I think, several reasons for this dichotomy between those of us who loved Casino Royale and those who remained diffident, disappointed or outright disliked it. One of which—and it is I think an important one—is that I have read the entire series, and long before a flashy movie was made using the title (often only using the title!). I grew up with Sean Connery as the quintessential Bond, a roughly handsome man with striking eyes and a cruel mouth.
In the book version of Casino Royale, Vesper Lynd, after just meeting Bond, admits to Mathis: “He is very good looking…but there is something cold and ruthless in his [mouth]…” Ian Fleming’s Bond is a somber misogynist who initially wants to bed Vesper as if to punish her for not falling for his charm:

Her eyes were wide apart and deep blue and they gazed candidly back at Bond with a touch of ironical disinterest which, to his annoyance, he found he would like to shatter, roughly.
I would not describe Campbell’s Bond as a misogynist, despite tendencies for being a ruthless sociopath with a slightly sadistic sense of humour. After Casino Royale and his experience with one particular woman, he might have turned into one, though…
Daniel Craig and those scintillating radioactive blue eyes brings us back to why we are ultimately fascinated with the character of James Bond. Think for a moment: this man is basically a sociopath, an assassin with a license to kill, dispense violence and torture to protect queen and country—a concept. Well, perhaps not quite a concept. Which brings us to M, Bond’s pithy superior in MI-6 in the British Secret Service. Bond is