Nina Munteanu

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Arc of Time by Nina Munteanu

July 21, 2007

I won’t be posting for a while; I’m tied up in holidays (actually, I’m “tied up” by the human, Jennifer Rahn—the fantasy writer I interroga-er-interviewed last week and who has abducted me. No need to rescue me; when she runs out of ice cream, I’ll just escape). But if you want to visit her site to see what ills she performed, go here (I warned you, though! Not for the faint of heart).

In the meantime, I’ve left you a short story of mine. Arc of Time was first published in The Armchair Aesthete (Pickle Gas Press) in 2002. It has since appeared in the Romanian avant-garde speculative ezine, Imagikon. Then it was picked up by Ultra! and more lately SFera Online. Now it’s here, an ancient Earth tale retold by an alien…

The Arc of Time

I-net correspondence from: F. Y. Benoit, Ph.D.,Paris, France
to: Dr. F. Wolke, Bonn, Germany
September 6, 2096

Dearest Friedrich,
I missed you at the World Sustainable Environment Congress in London last week. Where were you? I thought you were going to come? You should have heard Dante Sarpé. He captivated the congress right from the start with an introductory quote from the 20th Century social ecologist, Aldo Leopold: “Ecosystems are not only more complex than we think, they are more complex than we can think.” Describing the grave environmental calamity facing us as a symptom, Dante challenged our present paradigms and values to achieve peace and harmony. He submitted that our insatiable thirst for knowledge reflected unease with ourselves and a lack of partnership with our world.

He moved me with his parting words, Friedrich: “The branch of the tree cannot bear fruit of itself. Without compassion to fill it, knowledge is an empty house, casting its shadow on our courage to embrace the paradoxes in our lives: to feel love in the face of adversity; grace when confronted with betrayal.”
The conference was very well attended. Over 3,000 scientists and socio-economists came from all over the world. I wished you’d come, Friedrich. I drank my coffee alone, longing for your stimulating company.
Love,
Françoise Yvette
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A breeze braced the boy as he scrambled up the mountain. When he reached the old woman’s hut at the summit, he shielded his eyes against the sun and saw her, stepping with fluid movements in some meditative exercise. He crept closer and watched from a distance as Da’at performed her graceful dance, limbs coiling and slithering to an inner rhythm.
After completing a full turn, she pulled her rags about her and faced the boy with a nod.

He stepped forward. “What were you doing, Mama?” he asked. Da’at was not his mother, but she had looked after him since before he could remember. She always called him her blue-eyed chosen one.
“They will call it Tai Chi Chuan,” she said in a deep voice, easing herself to the ground and crossing her legs. “It is an exercise of the will, mind, and body toward the Way of Nature. Something you must learn, boy.”

“It was beautiful.” The boy squatted beside her and looked into her green eyes. Her motions had reminded him of the elegance of the cormorant and the spring of the furry Purgatorius.
“The purpose of the movements is to transfer the Chi, or the intrinsic energy, to the Shen, or spirit, by using inner rather than outer force.” She trained her gaze to the bright sun and her eyes sparkled like emeralds. “It brings me closer to my eternal love who dwells now only on the shafts of light and the whisper of the wind.”
The boy tilted his head and squinted, trying to grasp the meaning of her strange words. She often spoke cryptically, expecting him to understand.
Da’at turned to the boy. “If you practice Tai Chi long enough and execute it properly, you will become reconnected with the unity of everything, including the fourth dimension.”

“What is the fourth dimension?”

Da’at smiled wearily. “Time, my chosen one.”

The worn lines of her masculine face resembled weathered rock. She had always looked old yet she never seemed to age. “Is that why you can see into the future?” the boy asked, rocking on the balls of his feet.
She folded her arms on her knees and her thick brows knit together. “Future? What is that?”
Before he could respond, she added, “You have much to learn about time and space, boy. Do you think we inhabit one place and one time? Our universe is not only more complex than you think; it is more complex than you can think.” A dove flew overhead. Da’at gazed up at the bird and raised her hands in supplication. “My Shekhinah, I sense your presence here. How will my chosen one acquire wisdom when you elude us like the shifting wind?”

Reminded of why he’d come, the boy moved onto his knees and leaned forward. He focused on the dark hairs on Da’at’s chin and, taking a deep breath, he said, “While I was napping in the forest, I had a strange dream. About a faraway place unlike any I’ve seen. Full of huts taller than the Gingko trees and so many people like me, crowded inside them like ants.”

Da’at nodded to herself. “The dove has spoken to you.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I-net correspondence from: F. Wolke, Ph.D., IMA, Bonn, Germany
to: Dr. F. Y. Benoit, Paris, France
September 15, 2096

Dear Françoise Yvette,

I regret not seeing you at the WSE Congress. I have a favor to beg of you, mein Schatz. You must conduct some discreet research for me on Sarpé. His seminar at the WSE Congress proves my suspicions of some self-serving motive to his messianic leadership of our foundation. I know what you will say: that he’s considered a genius and a visionary by his peers and members of the traditional scientific community. He’s a hypocrite! No one’s that altruistic! That Teufel snake is up to something. He’s using the foundation for some personal mission that he isn’t sharing with the rest of us. Why indulge the simpletons of the world with the philosophy of our new prototype society? God forbid he intends to include them! I don’t trust him, Françoise. There’s something strange about that effeminate man. I know too little about him and his history. See what you can find and forward it to me with haste.

Alles Liebe,
Friedrich

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“I dreamt of a huge hut that rose into the sky and glinted in the sun,” said the boy. “Inside, it was crowded with people like me and you — none of those hairy ones who cannot speak. There were smooth tables and chairs made of strange material. And strange colored objects. I was there. I was one of the people! What does it mean, Mama?”
“You have dreamt about your destiny and your past.”

“My destiny?” The boy looked down and picked at the purple Calluna bush beside him. “But I want to stay here with you, in the forest and on this mountain. Safe from—”
“And renounce your destiny?” Her voice slit the wind. “You have a gift for seeing, boy. You must develop it. That is how others like you will learn.” Da’at pressed his shoulder with a firm hand. “Come, my angel, soon it will be time to become a man. I cannot complete your training by myself. That is why you must heed the dreams sent to you. Look for their messages in the wind that stirs the trees and in the shafts of light that filter through the forest.”

The boy leaned forward, “The dreams, then, are real?
“They will be,” she said, smiling wistfully. “What else do you remember?”

He squinted his eyes and gazed over the blue mist of the Ginkgo forest, focusing on his dream. “An old man with a sad face who was kind to me. I called him Father.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I-net correspondence from: F. Y. Benoit, Ph.D., Paris, France
to: Dr. F. Wolke, Bonn, Germany
October 2, 2096
Dearest Friedrich,
As requested, here is the information I was able to obtain on the subject of our mutual interest. I now find Dante even more fascinating than before and am convinced of his genius and visionary abilities. So, rather than focusing on negatives, I suggest we consider how my gift in empathy and yours in telekinesis can be used to further Dante’s International Research Foundation in Parapsychology. Having said this, I agree with you that much about him remains a mystery. Here are the facts I managed to find:
He has no birth record and no medical records. He first “appears” in 2049, when he registered at l’Université de Lyons. Dante Sarpé was a brilliant student. He received an honors degree with distinction and pursued his masters in ecology there, then he obtained his Ph.D. in physics and genetics at the University of California Berkeley. He became a post-doctoral fellow at the University of London and continued studies in ecology, psychology and animal physiology. Then the Institute of Vision offered Sarpé a position as researcher and associate professor in energy mastery and vision psychology. That’s where he met his significant other, Apollonia Buto. She taught paleo-ecology there at the time and together they wrote several papers on the medicinal properties of the prehistoric passion flower, Passiflora. In 2074 they co-founded the IRFP and the rest I think you know.
I tried to find out more about his earlier years but came up with nothing, as if he had suddenly appeared from nowhere. I also found a curious bit of nothing, Friedrich. In my attempts to discover more about him, I scanned his picture into my database. It was then that I made the odd discovery of his “doubles”. Two of them, a woman and a man. Their resemblance is striking! The woman, Datinella Snok, lived in the late 20th Century in the United States and the man, Dato Slangéka, in 19th century Russia.
Out of female curiosity, I suppose, I checked up on Apollonia Buto. Would you believe that she, too, appears from nowhere? Here is the most curious bit — she also has identical counterparts: a man, Anthony Orm, who lived in the late 20th Century in England and a woman, Antonia Kigyo, in 19th century Hungary. This piqued my curiosity as a geneticist. Do you know the odds of this sort of thing? They are astronomical and worth investigation. I include all six images at the end of this file.

When do you come for a visit? I long for your company. Do you remember the International Vision Conference last year? The IVC this November is held in Oslo. I’m presenting a paper on the genetics of dreams. Meet me!
Love,
Françoise
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~

Da’at sighed. “That old man in your dream created a ship that crossed time and space. The one you flew in when you were too young to remember.”
The boy followed Da’at’s gaze to the volcanic mountains that rose like fisted warriors in the distance.
“The foolish old man thought that he could instill pure light in mortals and begin again,” she said. “His eternal mate warned him against it. Mortals are not meant to travel as we do.”

She gave him too many riddles; he decided to start with the old man. “What happened to the old man, Da’at? And those who flew with him, like me?”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I-net correspondence from: F. Y. Benoit, Ph.D., Paris, France
to: Dr. F. Wolke, Bonn, Germany
January 7, 2097
Dearest Friedrich,
I enjoyed your company at the IVC in Oslo and savor our delicious speculations about Sarpé and Buto during our extended coffee breaks.

I have incredible news! Anxious for some answers, I took your suggestion, Friedrich, and sought Dr. Buto while I was in London to teach my workshop on Evolutionary Genetics at the Institute of Vision. She was there to speak with Prime Minister Smythe about the cadmium deficiency syndrome that is reaching pandemic proportions throughout the world. I managed to surreptitiously obtain a tissue sample by rubbing against her with a micro-sampler. I gave it to Gordon for analysis and he soon called me to his lab, eager to know where the sample was from.
Friedrich, she’s not human! Her unique DNA more closely resembles a reptile. Genetically, she is also neither female or male, but both! I immediately thought of her doubles and my imagination reeled at the possibilities. With some alarm I feel these events playing out for me like a déja vu. I fear Dante is like her. But what exactly is that? Friedrich, what does this mean? What have we uncovered? I fear we have bitten off more than we can chew.

Love,
Françoise.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Da’at’s lips curled into a bitter half-smile. “Only you and another survived.”

“Who?”

“I was the old man.”

The boy stared at Da’at. “You!”
“I once had an eternal mate, one like me. Bound through soul, spirit and flesh, we sailed the waves of time and space. We came here long ago to help the chosen ones. But, because you only look forward, we were soon forgotten, except in myth and legend, and the chosen ones grew irreverent. When she was destroyed, I became trapped in this space, able only to move in time. Shortly after arriving here with you I became as I am now.”

The boy wrinkled his nose. Why did she always speak in riddles? “But you’re not a man!”
“Neither am I a woman,” she said and blurred for a moment. He blinked and she became solid again.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I-net correspondence from: F. Y. Benoit, Ph.D., Paris, France
to: Dr. F. Wolke, Bonn, Germany
March 9, 2097
Dearest Friedrich,
I have incredible news. We were right, Friedrich. After much hesitation I finally processed the tissue sample I secretly got from Dante. Here is why: I was so clumsy about it I was sure he knew what I’d done, Friedrich. Can you imagine my humiliation? In the collision, he scratched me and I stumbled to the ground and almost dropped the micro-sampler. But after studying my face — I blushed with shame — it was he who apologized. He said, as he helped me to my feet, “I’m so sorry. I did not mean to make you fall.” Then he smiled in a fatherly way and went his way. Anyway, I found that his DNA complemented Apollonia’s.

I imagine these hermaphrodites are shape-shifters who live for very long periods of time (those doubles comprise at least 300 years!), switching sexes with one another in some kind of biological renewal every century or so. Since there is no photographic technology prior to the 18th Century, we can only speculate on the true age of these creatures. What do you make of it, Friedrich? You have been so silent since we last saw one another.
Why don’t you respond to my messages? You don’t return my calls. Are you annoyed with me for hesitating on processing Dante’s tissue sample? Perhaps now that I have, you will answer. Or are you just too busy making arrangements with those chosen for the journey in Dante’s ship? I’m still disappointed that I did not make the “cut” (I’d hoped you would have vouched for my talents as an empath, yourself being one of Dante’s favored ones). Anyway, I will patiently await your return. I hope you find a safe haven for us to begin again.

By the way, did you hear about Apollonia’s freakish accident? A tube-car slipped off its track and collided into her. She was killed instantly. They suspect the car was tampered with but can not determine how. Weren’t you and Dante in London that day to discuss logistics for your travel plans? You must have just missed her. I’m sure Dante is devastated by the news.

Love,
Françoise

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Da’at gazed into the distance with sad eyes. Smoke the color of carbon coiled up from a distant volcano. “I made a grave mistake. I replaced the substance of my eternal mate with a mockery. Mistook artificial for genuine light. Then a rage overcame me for it. It is for this reason that you are here in this new world, come from the clouds. Why you grew up with only wild animals and a foolish old crone to keep you company.”

She folded her arm around the boy and drew his head near hers. The boy leant against her rough body and felt her shake with silent sobs.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I-net correspondence from: F. Y. Benoit, Ph.D., Paris, France
to: Dr. F. Wolke, Bonn, Germany
February 10, 2098

Dear Friedrich,
Your cold silence has sealed my conviction of your deceit and self-serving motives. You’ve used my friendship. And once you got what you wanted, you discarded me.

Trifle with me if you like. Since my discovery of Apollonia’s and Dante’s interesting other-worldly heritage, I investigated you as well. I discovered that during Dante’s time of grieving over his mate’s untimely death, you’d gathered many supporters among the journeying IRFP who share your elitist vision, including a young woman whom you’ve made pregnant.
I submit that you killed Dante’s Apollonia with your telekinetic powers — probably to unbalance him and subvert his power. I further submit that you intend to seize his leadership in the IRFP by exposing his alien origin once you arrive at the new world he spoke of.
You don’t intend to return for the rest of us like Dante promised, do you, Friedrich? You plan to remain there to lead your own elite cadre while we rot here in the pestilence of humankind’s deathrows. Leave us here, then, to face apocalypse. I stand ready, and an inexplicable peace fills me. Heaven help you find peace where you flee. For all your superior gifts, you are still, like me, only human et enfin je te pardon.
Salut, mon ami,
Françoise Yvette Benoit

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Da’at placed her large hand on the boy’s head and unfurled her slender body. She stood up and stretched her sinewy body toward the sky. “You have worked hard, tending this beautiful garden, gathering my knowledge. It’s time I revealed myself to you.” Her head drooped and her shape hunkered into a ball.
Da’at’s hoary form vibrated, then blurred. The boy scrambled to his feet. Parched skin transformed into overlapping scales. The boy stared with pounding heart as the old woman’s hunched form uncoiled and rose into a monstrous shape. He shrank back and drew in his breath. The giant serpent reared its head high above him and hissed.
“Don’t be afraid, child,” said the serpent. “I am still your dear Mama.”
The boy studied the creature and his fear slipped away. The creature sounded like Da’at and the boy recognized the kind old woman’s eyes peering directly into his.

“This is my true form,” said the snake-creature, bowing its head. “Can you still love something as hideous as this?”

“But you are still my Da’at who’s been so kind to me, so good.”

“Yes, I am good,” the serpent said. “But without my guiding light I have become dangerous. When I discovered that my favored disciple betrayed me, I destroyed him in anger and all those who followed him.” The snake-creature coiled and uncoiled its form. “Only you survived, my chosen one, plucked like an angel from the darkest cloud. Wolke’s gifted son. Then, with blood-stained hands I fashioned from your genetic material and another’s a woman so that you may complete your journey. Alas, I shall eternally long for that which completes me.”
The creature wept. The boy swallowed down his own sadness and sensed the creature’s pain and loneliness. Like the old man in his dream, Da’at had always looked sad. “Don’t be sad, Mama.” Instinctively, the boy reached out and touched the scaly form. He longed to quell her sorrow. “You’ve taken care of me all these years and taught me so much. I’ll stay with you.”

The snake’s head bowed close to his. “Your destiny lies elsewhere, boy. Deep in the forest lives a girl of your kind with whom you will create a new race. For she is also bone from your bones, flesh from your flesh. Her “mother” was a compassionate and beautiful, though somewhat overly curious, woman who should have joined us on the arc. Alas, my traitor told me she did not wish to make the journey and I believed him. But, by happenstance I had earlier obtained her genetic material from a sample of her skin I got when she, out of scientific curiosity, purposely collided into me with a micro-sampler. So, I mingled her essence with yours. It is no surprise that the girl is intelligent, beautiful and full of light.” Da’at leaned back in silence to look him over. “Now, boy, it’s time for you to live a man’s life and take a man’s name.”
The boy blinked, unsure of himself and a little afraid. “What’s the girl’s name?”

“Like you she has no name yet. Her “mother’s” name was Françoise Yvette Benoit. I imagine the girl may fashion hers from that.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This story is dedicated to Lari Davidson. When I showed it to him in 2006, Lari liked my story and was going to publish it in the Premiere issue of Ultra! a magazine put out by Aardwolf Publishing on behalf of the Cystic Fibrosis Foundation. Sadly, Lari had all the proofs of the stories ready and the illustrations done; the issue was just about ready to go. Then he suddenly and tragically passed away. The magazine never went to print. I hope you enjoyed the story and perhaps you may find it in you to honor Lari’s efforts and give a donation to this worthwhile cause.

One last note, before I go for a while…


I just found out that Zephyr1 has bestowed on me the Champagne Award, one of three awards created by Lynn at “It’s a Woman’s World”. And I am so honored. Zephyr1 has herself just deservedly received the Chocolate Award. Check her post to find out about it and the other awards. Lynn says the Champagne Award is “for those who are a class act, all the way around. Someone who has inspired us, touched us, helped us, and cared for us, with no ulterior motives.” What can I say to that? Thanks so much, Zephyr1, for your incredible gesture.


Harry Potter and the Order of the Phoenix

July 19, 2007
I just saw the latest movie of J.K. Rowling’s Harry Potter series (Order of the Phoenix) and with the 7th and final book pending days from now, I couldn’t help revisiting my review of the 5th book, “The Order of the Phoenix”. Here is my review (which first appeared in Aoife’s Kiss):

For those of you unfamiliar with this very popular YA series, J.K. Rowling’s first Harry Potter book, “Harry Potter and the Philosopher’s Stone” (Bloomsbury Publishing), hit the bookshelves in 1997. The book captured the hearts and imaginations of so many young (and older) readers, that it and subsequent three books in the series have enjoyed an unprecended success. Her “Harry” books have sold over 325 million copies, translated into over 55 languages in over 200 countries.
The series explores the life of a young boy who discovers that he is a wizard – and a famous one at that, because he survived the death-touch of the most evil wizard of all, Lord Voldemort. J.K. Rowling’s colourful imagination has provided a rich world from Hogwarts School of Witchcraft and Wizardry, to a host of wizards and witches and strange creatures, a game that rivals basketball, cricket and rugby put together and is played on flying broomsticks (Quidditch), and much more. Since her first book, Rowling’s subsequent books have continued to both entertain adults and grip younger readers in an ever-escalating adventure with ever-increasing tension and pace and dark elements, until in the fourth book readers are shaken by the death of one of Harry’s own classmates and Harry must suffer torture by Voldemort’s Death Eaters and battle the evil wizard himself.

Which brings us to the fifth book. By my thinking, it should have started with a bang and thrust Harry and the reader into the thick of what was, in the fourth book, already a maelstrom. Instead, Rowling chooses to drop the momentum and introduces us to a brooding, sullen and slightly obnoxious hero, languishing in his own self-pity as he – and the reader – waits for something to happen. This is an angry (and spoilt) Harry. Now, granted, he is a teenager and prone to fits of irrational anger and impatience. But Harry is also our superhero. Does he have to be such a brat? And do we have to suffer his languishing thoughts – all of them? Aside from Harry’s unlikeable qualities (not great for a hero, even if he is a teenager!), I found that the first quarter of the book was less than captivating, unexciting and overly-full of details that seemed to neither further plot nor illuminate character. Her prose was also prone to repetition (I don’t know how many times Rowling repeated Harry’s same anxious and impatient thoughts on the same subject – once was certainly enough for me!). I found myself impatiently skipping lines and putting the book down. Something I had not done in the previous books.

For me, the story didn’t come to life until well over a 150 pages into the book, once our beloved main characters are in the train and on their way to Hogwarts. And as far as I’m concerned this is where the book could have started. If not for two important plot events, the whole beginning could have been—and should have been—scrapped. It seems as though, like her own protagonist, the writer only rouses herself once we reach Hogwarts. This is where she shines as an author, where her characters interact and come to life and move. It is at Hogwarts that the pace and tension and character involvement flow as she builds the srory and reader interest. As a writer, I recognize that some settings we create evoke our creative muse better than others. Hogwarts is definitely Rowling’s preferred setting and the preferred metaphoric vehicle for her exceptional voice in fiction.

Once Rowling is in her element, she tantalizes us with all the things we have come to love and expect from her. There is Harry, of course, who grows in character as well as in experience (his first kiss is a wonderful mixture of awkward and sweet). His two best friends, Hermione and Ron, add both comical relief with their continued bickering and a stong sense of loyalty and friendship in times of struggle. Other familiar characters such as Professor McGonigal, Hagrid, and the Weasley twins add a rich repertoire to the setting in which Harry must navigate to fulfill his destiny (of which we get some strong hints in this book). We also witness the evolution of timid characters, Ginny Weasley and Neville Longbottom, as they find their inner strengths. There is even Rowling’s own greek oracle, the Sorting Hat.

In new and dark characters, our emotions are roused by the despicable and totally reprehensible Professor Umbridge, who even fair and sweet Hermione calls an “evil hag . . . a fowl, lying, twisted old gargoyle.” Malfoy is, predictably, the obnoxious little thing he always was, and growing feeble and tiring as Harry’s foil. As for another foil, I found Snape’s character disappointingly flat, hitting the same strident and “sinister” note time and time again. It is hard to accept that this intelligent man could not grow a little as do most of the other characters. What was actually harder to take was Harry’s own “one-note” hatred of Snape, particularly after his discovery of something in the past to do with his father. I found myself, as with Harry’s final scene with Dumbledore, wanting to box Harry on the ears for being so “heartless”, despite Dumbledore himself mentioning Harry’s heart. Perhaps we must wait until Book Six or Seven before Harry and Snape resolve things or at least evolve their relationship.

The story itself unfolds wonderfully (once Rowling gets going, that is) with some extremely interesting twists and disclosures, particularly for Harry. In a spine-chilling scene during one of Harry’s “visions” I am reminded of Joseph Conrad’s “Heart of Darkness” in which, forced to face the snake inside of him, our hero must confront and rise above the darkness, the doubts and fears that dwell inside of him. More than anything this fifth book reveals the “inward journey” of our minds and hearts: to face and accept our own demons, to gain the wisdom to accept differences, to tolerate with kindness and humility minor transgressions against us as expressions of weakness, and to recognize true evil from the shallow bickering that so often fills our world. I’m not saying that Harry gets to this point by the end of Book Five, but he is well on his way. Ironically, it is the Sorting Hat that provides a forshadowing of the accomplishments both Harry and his divided group must achieve: they must sort out (pardon the awful pun!) their differences, and “unite . . . or we’ll crumble from within.”

Despite these wonderful qualities, “Harry Potter and the Order of the Pheonix” remains too long and contains far too much unecessary detail – mostly the kind that tells you where someone went and how. This seriously undermines the pace and its removal would have served the purpose of shortening the book by at least a third and heightening tension and keeping the reader less inclined to skim portions. This 5th in a 7-book series should have been a page-turner toward the series climax. The book appears to have been hurried along and Rowling could well be excused on this alone (deadlines and all). When Rowling turned her huge manuscript in to her publisher, she could well have quoted her own version of Mark Twain’s longstanding statement: “I would have made it shorter but I ran out of time.”

Biography of J.K. Rowling


“I am an extraordinarily lucky person, doing what I love best in the world.”—J.K. Rowling
J.K. (Joanne Kathleen) Rowling was born in Chipping Sodbury, near Bristol, England. After graduating from Exeter University, she worked as a secretary and taught English in Portugal before moving to Edinburgh, Scotland, with her daughter. She currently lives in Scotland with her husband and two children.
The idea for Harry Potter occurred to Rowling on the train from Manchester to London, where she says Harry “just strolled into my head fully formed.” By the time she arrived at King’s Cross, many of the other characters had also taken shape. During the next five years she outlined plots for each book and began writing the first in the seven-book series, “Harry Potter and the Philosopher’s Stone”. Several publishers turned down the finished manuscript before Bloomsbury took interest and published it in 1997.
J.K. Rowling won the Hugo Award, the Bram Stoker Award, the Whitbread Award for Best Children’s Book among many others. Her books have consistently appeared on the New York Times, USA Today and Wall Street Journal bestseller lists. The fifth book (this review) has already broken records with its first print run of 6.8 million copies and a second run of 1.7 million, an unprecedented figure for any book.
Rowling always wanted to be a writer. “I had written two novels before I had the idea for Harry,” says Rowling, “though I’d never tried to get them published. And good job too. I don’t think they were very good.” That the overarching theme of her “Harry” series is based upon acceptance, is a natural extension of what is essentially most important to Rowling. When asked if there was one thing that she could change in the world, she responded with, “I would make each and every one of us much more tolerant.”

Review of Kushiel’s Legacy by Jacqueline Carey

July 3, 2007

I should first tell you that I generally don’t read fantasy. I am not a fan of epic quests in foreign unpronouncable realms by a superfluous cast with equally unpronouncable names. During college days I read Tolkein’s “Lord of the Rings” and confess that, while I did enjoy it, I was not inclined to pick up anything else like it. I am equally not keen on reading a story about a hero and his furry-beast friends who must conquer through magic and swordplay some evil warlord to save some helpless damsel in distress. Okay, not all epic fantasies are that transparent but they do tend to adhere to Campbell’s “Hero’s Journey”—to a fault.
Jacqueline Carey’s Kushiel’s Legacy by Tor Books consists of three rather large books: Kushiel’s Dart (a hefty 910 pages); Kushiel’s Chosen; and Kushiel’s Avatar, with a fourth and fifth in the saga, based on another character (Kushiel’s Scion and Kushiel’s Judgement). Kushiel’s Legacy is definitely an epic fantasy. But, thankfully for me, it couldn’t be further from its stereotype. Epic, yes—in size, scope and granduer. Fantastic, also, in its brilliant imagination and masterful delivery. But it is so much more. According to T.M. Wagner (SF Reviews.net), Carey “eschews the mythic aspirations of traditional high fantasy…[and] has created one VLFN that stands above the bloated pack”, taking “Fantasy into shadowy, exotic corners it rarely dares to tread” (Storm Constantine). William Thompson (Revolution SF) found this “seductive novel…exceptionally well-written, intricately plotted and [displayed] a grasp of language and storytelling rare in fantasy fiction.” To be sure, several readers of traditional fantasy complained that the language was “too flowery” and the books too long and overfull with detail and characters. This is precisely why I liked it. It reads like classic literary fiction. But it isn’t!
Chapter One of Kushiel’s Dart, the first of Carey’s three books focussing on Phèdre, begins with Phèdre engaging us with a conversational narrative that seamlessly and instantly lures us into her fascinating world. And lured I was; by the end of the first page I learned that her parents gave her a name that was cursed and that Phèdre, herself, was flawed: by a scarlet mote, a pinprick of blood emblazened in her left eye—which is enough in this land of aesthetics obsessed with beauty to mark her as blemished. She only later learns the significance of the mark; it is Kushiel’s Dart, left by a god who has chosen her to forever experience pain and pleasure as one. Thus begins our relationship with an ‘imperfect’ girl who was eventually outcast and sold by her mother—as “a whore’s unwanted get”—into indentured servitude in a House of the Night Court (a bordelo). It was the tag line of the first chapter that convinced me that a stirring tale of breathtaking intensity and shocking beauty was unfolding before me:
When Love cast me out, it was Cruelty who took pity upon me.”
Kushiel’s Legacy is set in an alternate quasi-medieval Europe, Africa and Asia of Carey’s imagination. For instance, there is Aragonia, Caerdiccia Unitas, and Skaldia, loosely representing Spain, Italy and Germany, respectively. And there is Terre d’Ange (land of angels), Phèdre’s homeland, a place of unsurpassing beauty and grace, and whose beautiful race, created from angels and men, lived by one simple rule: Love as thou wilt. The D’Angelines were descended from the Blessed Elua, an interesting, rather warped, vision of the traditional Christ figure, and his angel companions who abandoned Heaven to follow him as he walked among mortals. Among Elua’s companions is the angel, Naamah, who willingly prostituted herself in service to Elua; Cassiel, who abjured mortal love for the love of the divine; and, of course, the mighty Kushiel, of rod and weal, the just Punisher of God, whose blow of pain was the touch of love. Those “kissed” by Kushiel receive both pleasure and cleansing through the infliction of pain.
Early on in Kushiel’s Dart, Phèdre’s bond is purchased by Anafiel Delaunay, an arcane nobleman with a secret past, who recognizes who and what she is—an anguissette, one who can experience pain as pleasure. While his motives elude her, Delaunay tutors Phèdre as a spy and rents her out to influential members of the decadent aristocracy to learn their secrets. When one of Delaunay’s games gets the better of him, he is murdered and young Phèdre is cast on a path of intrigue and treachery that she, as Kushiel’s Chosen-Avatar, is singularly able to endure. Thus, she sets off on her hero’s journey—aflame with betrayal, sacrifice, scintilating desires, and conspiracy. She encounters a rich and diverse cast of cunning poets, heroic traitors and a truly Machiavellian and seductive villainess. And to balance this is her loyal Cassiline bodyguard, Joscelin, her “Perfect Companion”, who eventually becomes the compass of her heart.
True to her heroic stature, Phèdre harbours, in both her words (it is she telling us the story) and her mien, no bitterness or resentment for the cruelty and hardship destiny has dealt her. And she does more than simply endure it; she answers the hero’s call to play out her role as Kushiel’s Chosen. Phèdre is a singularly appealing and complex hero because she is non-judgemental, ethical and honourable yet incredibly vulnerable, reckless and stubborn at times. She poses a panoply of opposites. She is, after all, an anguissette: her pain is her pleasure; her yielding is her strength, her wanton behaviour her salvation, her servitude her victory; and her love her courage. Phèdre is “an unflinching yet poignantly vulnerable heroine” (Booklist), whose selfless yielding will conquer the strongest and most depraved of foes. “Not all that yields is weak,” Hyacinthe, her best friend, tells her. To yield is Kushiel’s precept and the moniker of the House of Valerian, dedicated to the just Punisher. And yield, Phèdre must—and does; until it becomes her strength and her legacy just as love and honour become her driving force.
One is reminded of Christian parallels of yielding, tolerance and sacrifice in the acts of Jesus and his disciples. Phèdre walks a balanced moral path, following the precepts of her D’Angeline angels—Kushiel’s justice; Naamah’s passion, Cassiel’s loyalty, and, of course, Elua’s love—toward redemption for more than just herself. Carey’s exotic blending of Christianity and paganism, daringly poses the question of “the sacred potential inherent in every sexual encounter.” (Booklist). Wholly embracing her gods, and at great cost to herself, Phèdre gives herself away—sexually, and more—in Kushiel’s Avatar to rescue an innocent boy and ultimately to save her friend, Hyacinthe, from a wrathful god.
Mortals conquer and slay; gods rise and fall. The games we play out on the board of earth echo across the vault of heaven.” (Kushiel’s Chosen)
Some readers have complained, nonetheless, at the inapropriateness of a prostitute as heroine. But, like many heroes with humble often dubious beginnings, Phèdre is one chosen by a god, who provides her with the opportunity to demonstrate that her heart and soul are far from base:
We pay for sins we do not remember, and seek to do a will we can scarce fathom. That is what is is, to be a god’s chosen.” (Kushiel’s Avatar)
Yet for all that, this tale is not for the squeamish or the judgemental. As Kirkus Reviews contends, Kusiel’s Legacy is “superbly detailed, fascinatingly textured and sometimes unbearably intense,” punctuated with highly erotic and, at times, disturbing sexual episodes. The hero is a masochist, “whose disturbing sexuality drives the story… [which is as]…delicious as it is unsettling” (Emma Bull). T.M Wagner (of SF Reviews.net) sums it up eloquently: Kushiel’s Legacy “is the real thing, a distaff examination of sex and power, unflinchingly forthright.” And, he adds, “on no account is it recommended for faint hearts or weak stomachs.” Indeed, I was equally spellbound and greatly disturbed by Phèdre’s last great tryst with evil’s desire in a place of true madness where souls are currency (Kushiel’s Avatar). Her experience in Daršanga to rescue young Imriel, Melisande’s son, will endure in my memory for a long time: the terrible things Phèdre endured; the devine way she prevailed. She overcame it all because of the divine love that shone brightly inside her (her name means “bright” in Greek). It empowered her to shine hope to the hopeless. But the experience left her shattered, in pieces. Make me whole, she later prayed in the Temple of Isis, make us all whole.
Kushiel’s Legacy is not a romance, although it is a great love story. It is a complex saga, woven with layer upon layer of threads revealed through a metaphoric tapestry, often counterpoint with contradiction and turbulent conflict of morality and values. This journey of self-discovery by a young child journeying into womanhood explores some of the deepest and most cherished virtues of humanity, by courageously dismantling “standard notions of…morality” (Locus). Virtues like honour and loyalty. Family. And love. Love, in all its aspects:
Innocent love—a trusting love for a mother in the act of abandonment: …She will sell me to this cruel old woman, I thought, and experienced a thrill of terror…My mother stood with my hand in hers and gazed down at my upturned face. It is my last memory of her, those great, dark, lambent eyes searching, searching my own, coming at last to rest upon the left. Through our joined hands, I felt the shudder she repressed.(Kushiel’s Dart)
Dangerous love—a curious love of forbidden flesh: “Phèdre.” My name only; Melisande spoke it as if to place a finger on my soul, soft and commanding…held me captive and trembling before her…“Why do you struggle against your own desire?” Melisande lowered her head and kissed me. The shock of it went through me like a spear; I think I gasped…I swayed, dissolving under lips and tongue…my bones… molten fire, my flesh shaping itself to the form of her desire…(Kushiel’s Chosen)
Cruel love—a sacrificial, yielding love for one’s enemy: The Mahrkagir…reached out to touch my cheek and his hand was cold, so cold…I felt his touch like fire, setting me ablaze between my thighs…I shut my teeth on a moan…A strange rill of energy surged between us. I tasted fear and desire, his mad smile, and lost myself in his dilated eyes. His hand trailed down my throat, cupping one breast…pinching my erect nipple as hard as he could. A bolt of pain shot through me and I stifled a moan. “Ill thoughts, ill words, ill deeds.” He smiled tenderly at me, maintaining a pincerlike grip…“Your gods have chosen you for defilement. Is that not so?” I closed my eyes. “Yes.” (Kushiel’s Avatar)
Tender love—a healing and exalting love for one’s true beloved: That kiss, I cannot describe. It was like a poem, a prayer, a homecoming unlooked-for. It was like dungeon walls crumbling to reveal a glimpse of sky. It shook me to the very roots of my soul. All I could do was cling to him and gasp…And that is where time itself seemed to stretch and flow…and everything done by the Mahrkagir was undone, every cruelty, every iron thrust—undone, undone, undone, every kiss, every lick, every stroke, imprinting love upon my flesh, until I shuddered and knotted both hands in Joscelin’s hair, calling his name out loud, and my climax followed with the inevitability of the spring-fed waters tumbling over the rocks. (Kushiel’s Avatar)
Divine love—a selfless compassionate love greater than oneself: It burned in me like strong wine, like the first taste of joie I had known as a child, like Melisande’s touch…If I had not brought Imri out of the darkness of Daršanga , this brightness would never come to pass. Truly love was a wondrous force, now that I perceived the complexities of its workings…Joscelin…Every line, every plane of him was writ in an alphabet of flesh and bone, spelling out love. How had I never seen it? And Imriel…a tangled knot of fear and need, achingly vulnerable. It made my heart ache to look upon him. (Kushiel’s Avatar)
More than anything else, Carey’s epic tale is a poem dedicated to love; exalting love in all its facets, from selfless yielding and sacrifice to the harsh lusty desires of a cruel heart. From the last line of Chapter 1 in the first book to the last line of the last book—Jacqueline Carey demonstrates that her Kushiel’s Legacy is devoted to the power of love; how love can sustain us, how it shapes our lives, can move an empire, and empower us in our own singular heroic acts.
Love as thou wilt.
This review first appeared in Denise Fleischer’s Gotta Write Network.
I also reviewed the exquisite yet disturbing motion picture “Pan’s Labyrinth” here.